Medieval DramaMedieval Drama is a textbook, designed to be used by A level and undergraduate students of theatre and drama. It is divided into two major areas, mystery cycles and morality plays, and it examines the plays from a performance perspective. The book makes special reference to those texts contained within selections of plays which can be readily obtained by students, including A.C.Cawley's Everyman and Medieval Miracle Plays (Dent). The staging conventions of pageant waggon performance, place and scaffold playing and the drama of the Hall are explored in relation to the cultural context of the medieval period. |
From inside the book
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Page 38
... contrast between the two brothers is reflected and empha- sised throughout the play in the dialogue , where the difference in their perceptions of good and evil , wise and foolish , is pointed linguistically . For Cain , Abel is a ...
... contrast between the two brothers is reflected and empha- sised throughout the play in the dialogue , where the difference in their perceptions of good and evil , wise and foolish , is pointed linguistically . For Cain , Abel is a ...
Page 68
... contrast in suffering is very apparent , and the attention given by the soldiers to their petty suffering underlines all the more the enormity of Christ's physical suffering as well as the spiritual implications of this which are ...
... contrast in suffering is very apparent , and the attention given by the soldiers to their petty suffering underlines all the more the enormity of Christ's physical suffering as well as the spiritual implications of this which are ...
Page 83
... contrast , the good usually stand meek , still and repetitious with St Michael or Christ , showing none of the variety of types and interest of movement displayed by their wicked counterparts . Encouragement is offered by negative contrast ...
... contrast , the good usually stand meek , still and repetitious with St Michael or Christ , showing none of the variety of types and interest of movement displayed by their wicked counterparts . Encouragement is offered by negative contrast ...
Contents
PARTI MYSTERY PLAYS | 3 |
Everyman and other Morality Plays | 97 |
The Place | 108 |
Copyright | |
5 other sections not shown
Other editions - View all
Medieval Drama Christine Richardson,Colette Rausch,Jackie Johnston,Leigh A. Payne No preview available - 1991 |
Common terms and phrases
A. C. Cawley Abel Play Abel's actors allegory Angel appear audience audience's biblical Cain and Abel Cain's Castle of Perseverance characters Chester play Christ Christian contrast Corpus Christi plays costumes Coventry Cross Crucifixion Crucifixion Play cycle plays demonstrate Devils didactic ditch EETS effect Elizabethan entertainment episode Everyman fifteenth century God's guilds Hell Interludes Last Judgement Last Judgement Play liturgical liturgical drama London Mankind Medieval Drama Medieval English Drama medieval period Medieval Theatre Mercers Mercy Mischief Morality plays Mummers Mystery Cycles Mystery plays N-Town Cycle N-Town play Noah offer pageant wagon Passion sequence performance physical play world playing area popular possible recognise records reference religious represent response role salvation scaffolds Secunda Pastorum Shepherds Play shows social soldiers souls space spectators speech spiritual stage directions survived theatre tithe Titivillus Towneley Towneley-Wakefield Cycle Towneley-Wakefield play tradition Tudor vices Wakefield Wakefield Master York Cycle