Medieval DramaMedieval Drama is a textbook, designed to be used by A level and undergraduate students of theatre and drama. It is divided into two major areas, mystery cycles and morality plays, and it examines the plays from a performance perspective. The book makes special reference to those texts contained within selections of plays which can be readily obtained by students, including A.C.Cawley's Everyman and Medieval Miracle Plays (Dent). The staging conventions of pageant waggon performance, place and scaffold playing and the drama of the Hall are explored in relation to the cultural context of the medieval period. |
From inside the book
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Page 33
... Cain's innocent victim and , of course , as Christ will be an innocent victim . As Cain's murder of Abel demonstrated the consequences of the Fall , Lamech's murder of Cain demonstrates the proliferation of the act across the world . If ...
... Cain's innocent victim and , of course , as Christ will be an innocent victim . As Cain's murder of Abel demonstrated the consequences of the Fall , Lamech's murder of Cain demonstrates the proliferation of the act across the world . If ...
Page 41
... Cain is cursed by God and it seems that the mark is put upon him . This detail is not given explicit execution in the play but may be intuited from Cain's words at line 184 : ' I ... Cain moves away from the playing N - Town Cain and Abel 41.
... Cain is cursed by God and it seems that the mark is put upon him . This detail is not given explicit execution in the play but may be intuited from Cain's words at line 184 : ' I ... Cain moves away from the playing N - Town Cain and Abel 41.
Page 43
... Cain's does not or will not burn is used , again with most comic elaboration in the Towneley - Wakefield play . In both these plays God speaks to Cain and attempts to restrain his wrath and instruct him in correct offering and ...
... Cain's does not or will not burn is used , again with most comic elaboration in the Towneley - Wakefield play . In both these plays God speaks to Cain and attempts to restrain his wrath and instruct him in correct offering and ...
Contents
PARTI MYSTERY PLAYS | 3 |
Everyman and other Morality Plays | 97 |
The Place | 108 |
Copyright | |
5 other sections not shown
Other editions - View all
Medieval Drama Christine Richardson,Colette Rausch,Jackie Johnston,Leigh A. Payne No preview available - 1991 |
Common terms and phrases
A. C. Cawley Abel Play Abel's actors allegory Angel appear audience audience's biblical Cain and Abel Cain's Castle of Perseverance characters Chester play Christ Christian contrast Corpus Christi plays costumes Coventry Cross Crucifixion Crucifixion Play cycle plays demonstrate Devils didactic ditch EETS effect Elizabethan entertainment episode Everyman fifteenth century God's guilds Hell Interludes Last Judgement Last Judgement Play liturgical liturgical drama London Mankind Medieval Drama Medieval English Drama medieval period Medieval Theatre Mercers Mercy Mischief Morality plays Mummers Mystery Cycles Mystery plays N-Town Cycle N-Town play Noah offer pageant wagon Passion sequence performance physical play world playing area popular possible recognise records reference religious represent response role salvation scaffolds Secunda Pastorum Shepherds Play shows social soldiers souls space spectators speech spiritual stage directions survived theatre tithe Titivillus Towneley Towneley-Wakefield Cycle Towneley-Wakefield play tradition Tudor vices Wakefield Wakefield Master York Cycle