An Actor Prepares |
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Page 8
... tried to attach some hair . The lacquer pricked my skin and the hair stuck straight up from my face . I tried one wig after another . All , put on a face without make - up , were too obvious . Next I tried to wash off what little make ...
... tried to attach some hair . The lacquer pricked my skin and the hair stuck straight up from my face . I tried one wig after another . All , put on a face without make - up , were too obvious . Next I tried to wash off what little make ...
Page 41
... tried hard to protect them with my hands . Also I tried to see the fire , to feel the heat , but failed , and soon began to be bored , so that I was compelled to think of something else to do . I began to move the furniture , then to ...
... tried hard to protect them with my hands . Also I tried to see the fire , to feel the heat , but failed , and soon began to be bored , so that I was compelled to think of something else to do . I began to move the furniture , then to ...
Page 174
... tried to find the reason for this , I decided that I must go over in detail everything that happened to me the entire day before my appearance in the evening . " The first item was that I received a shockingly big bill from my tailor ...
... tried to find the reason for this , I decided that I must go over in detail everything that happened to me the entire day before my appearance in the evening . " The first item was that I received a shockingly big bill from my tailor ...
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Common terms and phrases
actor adaptations adjustments Alan Schneider answer aroused artist asked the Director asked Tortsov attention audience began believe circle conscious create curtain Dasha direct elements emotion memory everything excitement exclaimed exercise exhibitionism experience expression external eyes feelings felt footlights fourth wall gestures give given circumstances Grisha hand happened human Iago imaginary imagination important inner creative inspiration Kostya light line of action living look Maria means mechanical acting method mind Molière moments mood muscles nature necessary object Othello Paul person physical actions play pose Prana purpose rehearsal remember role rubber stamps scene sensations sense of truth sitting soliloquy Sonya soul spectators spiritual stage stimulus subconscious suddenly suggested super-objective Suppose Tartuffe technique tell tenseness theatre theatrical things thought tion tried turn Vanya whole wish words yourselves