Teaching Literature as Reflective PracticeTeaching Literature as Reflective Practice speaks to all those teachers who teach the "gen ed" literature course that their students must take to complete a general education or core curriculum requirement. These students--the 95 percent who are not English majors--are the students we hope will become active and reflective members of a reading public. Given this goal, Kathleen Blake Yancey outlines a course located in reflective practice and connected to readings in the world. The course invites students to theorize--about their own reading practices, about how literature is made, and about texts and their relationships to culture more generally. Such a course also encourages students to think about what places and occasions in the world are poetic, about the role of not-understanding in coming to understand literature, and about technological forms of literacy, such as multimedia pop-ups that link associatively to multiple contexts. In addition to cogent reflections on the realities of lived, delivered, and experienced curricula, Yancey defines, illustrates, and analyzes two kinds of literature portfolio--print and electronic--and shows how each fosters a particular kind of learning and leads to specific assessment practices. |
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Page 54
... poetry . That students read poetry in an informed and confident way . In these terms , I think this approach succeeds , and perhaps more useful , I've discerned five promising practices growing from the ap- proach , practices that ...
... poetry . That students read poetry in an informed and confident way . In these terms , I think this approach succeeds , and perhaps more useful , I've discerned five promising practices growing from the ap- proach , practices that ...
Page 59
... poetry and engage students . As it sounds , reader's theater is a performance of a text . The performers might focus ... Poetry teachers , especially at the high school and undergraduate levels , should spend less time on analysis and ...
... poetry and engage students . As it sounds , reader's theater is a performance of a text . The performers might focus ... Poetry teachers , especially at the high school and undergraduate levels , should spend less time on analysis and ...
Page 106
... poetry and drama , perhaps attention to reading practices in other disciplines . As David Schwalm suggests , without ... poetry in a sculpture , or performing a pop - up . bell hooks explains why such ticipation is so important : Poetry ...
... poetry and drama , perhaps attention to reading practices in other disciplines . As David Schwalm suggests , without ... poetry in a sculpture , or performing a pop - up . bell hooks explains why such ticipation is so important : Poetry ...
Contents
The Lived Curriculum | 20 |
The Delivered Curriculum | 41 |
Closing the Circle | 58 |
Copyright | |
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activity American approach asked assignment begin believe better bring called chapter claim classroom communication connections context course create critical culture delivered curriculum dents describing develop discussion engage English English studies essays example experience explain feel Figure genre given going idea images important intellectual interesting interpretation invisibility invite issues kind knowledge language learning least literary literature lived curriculum look material means move multiple never notes novel Observation performance perhaps person places play poem poetry pop-ups portfolio possible practice presentation questions reader reading reflection relationship role says seems sense situation specific story suggests talk teachers teaching tell term theme thing thought tion understand University writing