Teaching Literature as Reflective PracticeTeaching Literature as Reflective Practice speaks to all those teachers who teach the "gen ed" literature course that their students must take to complete a general education or core curriculum requirement. These students--the 95 percent who are not English majors--are the students we hope will become active and reflective members of a reading public. Given this goal, Kathleen Blake Yancey outlines a course located in reflective practice and connected to readings in the world. The course invites students to theorize--about their own reading practices, about how literature is made, and about texts and their relationships to culture more generally. Such a course also encourages students to think about what places and occasions in the world are poetic, about the role of not-understanding in coming to understand literature, and about technological forms of literacy, such as multimedia pop-ups that link associatively to multiple contexts. In addition to cogent reflections on the realities of lived, delivered, and experienced curricula, Yancey defines, illustrates, and analyzes two kinds of literature portfolio--print and electronic--and shows how each fosters a particular kind of learning and leads to specific assessment practices. |
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Page 39
... participate in learning about their own reading , students are surprised to find they can like literature . 6. People have networks for activities they enjoy . Students go to the movies with friends ; they share recommendations for mu ...
... participate in learning about their own reading , students are surprised to find they can like literature . 6. People have networks for activities they enjoy . Students go to the movies with friends ; they share recommendations for mu ...
Page 73
... participate . Or that was the hope . The pop - up assignment had succeeded according to the terms I'd stipulated ; the students made interesting connections , new questions were raised , and their essays were , I thought , more ...
... participate . Or that was the hope . The pop - up assignment had succeeded according to the terms I'd stipulated ; the students made interesting connections , new questions were raised , and their essays were , I thought , more ...
Page 106
... participate in the litera- ture - by means of performing reader's theater , or finding poetry in a sculpture , or performing a pop - up . bell hooks explains why such ticipation is so important : Poetry came into my life , the sense of ...
... participate in the litera- ture - by means of performing reader's theater , or finding poetry in a sculpture , or performing a pop - up . bell hooks explains why such ticipation is so important : Poetry came into my life , the sense of ...
Contents
The Lived Curriculum | 20 |
The Delivered Curriculum | 41 |
Closing the Circle | 58 |
Copyright | |
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activity American approach asked assignment begin believe better bring called chapter claim classroom communication connections context course create critical culture delivered curriculum dents describing develop discussion engage English English studies essays example experience explain feel Figure genre given going idea images important intellectual interesting interpretation invisibility invite issues kind knowledge language learning least literary literature lived curriculum look material means move multiple never notes novel Observation performance perhaps person places play poem poetry pop-ups portfolio possible practice presentation questions reader reading reflection relationship role says seems sense situation specific story suggests talk teachers teaching tell term theme thing thought tion understand University writing