Teaching Literature as Reflective PracticeTeaching Literature as Reflective Practice speaks to all those teachers who teach the "gen ed" literature course that their students must take to complete a general education or core curriculum requirement. These students-the 95 percent who are not English majors-are the students we hope will become active and reflective members of a reading public. Given this goal, Kathleen Blake Yancey outlines a course located in reflective practice and connected to readings in the world. The course invites students to theorize about their own reading practices, about how literature is made, and about texts and their relationships to culture more generally. Such a course also encourages students to think about what places and occasions in the world are poetic, about the role of not-understanding in coming to understand literature, and about technological forms of literacy, such as multimedia pop-ups that link associatively to multiple contexts. In addition to cogent reflections on the realities of lived, delivered, and experienced curricula, Yancey defines, illustrates, and analyzes two kinds of literature portfolio-print and electronic-and shows how each fosters a particular kind of learning and leads to specific assessment practices.--Publisher. |
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Page 7
They usually try to " understand " characters , for example , in terms of types and
in more or less generalized psychological terms . They deal with plot and events
in a similarly schematic way . Events are viewed not as a structure for exposing ...
They usually try to " understand " characters , for example , in terms of types and
in more or less generalized psychological terms . They deal with plot and events
in a similarly schematic way . Events are viewed not as a structure for exposing ...
Page 64
In include some connection to the the pop - up version of contexts “ Closing Time
, " for example , we learn where include at least one visual : overhead ? the video
was shot , who poster ? video clip ? PowerPoint ? Web is dating whom in the ...
In include some connection to the the pop - up version of contexts “ Closing Time
, " for example , we learn where include at least one visual : overhead ? the video
was shot , who poster ? video clip ? PowerPoint ? Web is dating whom in the ...
Page 85
The best thing for me to do is to just give an example of what I believe is a " good
" novel , and why . The Octopus , by Frank Norris , is a great example of a good
novel . This novel has the ability to tell multiple stories at the same time . At one ...
The best thing for me to do is to just give an example of what I believe is a " good
" novel , and why . The Octopus , by Frank Norris , is a great example of a good
novel . This novel has the ability to tell multiple stories at the same time . At one ...
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Contents
The Lived Curriculum | 26 |
Closing the Circle | 58 |
Portfolios and the Representation of Student Work | 77 |
Copyright | |
3 other sections not shown
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activity American approach asked assignment begin believe better bring called chapter classroom communication connections construct context course create critical culture delivered curriculum dents describing develop discussion engage English English studies essays example experience experienced explain feel Figure genre given going idea images important intellectual interesting interpretation invisibility invite issues kind language learning least literary literature lived curriculum look means move multiple never notes novel Observation performance person places play poem poetry pop-ups portfolio possible practice presentation problem questions reader reading reflection relationship role says seems sense situation specific story suggests talk teachers teaching tell term theme thing thought tion understand University visual writing