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Alice Alme Alon Alonso Angela arms believe better Bless Bob H brother Carlos castle character comes Crosses Dame dare daughter dear death door dress earl Enter Exit eyes fall father fear feel follow Franval give hand Handy happy head hear heard heart heaven Henry hold honour hope hour Lady leave Leon live look lord madam master mean mind Miss morning nature never night once Osmond pass Percy Phil play poor pray present Puff Rosina Saib SCENE servant Sir Philip Sneer soon soul speak stage sure tears tell thank thee Theodore thing thou thought true turn wish young Zanga
Page 15 - Steal ! — to be sure they may ; and, egad, serve your best thoughts as gypsies do stolen children, disfigure them to make 'em pass for their own.
Page 18 - Sneer. In short, that even the finest passages you steal are of no service to you ; for the poverty of your own language prevents their assimilating ; so that they lie on the surface like lumps of marl on a barren moor, encumbering what it is not in their power to fertilize ! Sir Fret.
Page 17 - No ; quite the contrary : their abuse is, in fact, the best panegyric ; I like it of all things. — An author's reputation is only in danger from their support.
Page 39 - Puff. Why, by that shake of the head, he gave you to understand that even though they had more justice in their cause, and wisdom in their measures — yet, if there was not a greater spirit shown on the part of the people, the country would at last fall a sacrifice to the hostile ambition of the Spanish monarchy.
Page 21 - But pray, Mr. Puff, what first put you on exercising your talents in this way ? • Puff. Egad, sir, sheer necessity ; the proper parent of an art so nearly allied to invention. You must know, Mr. Sneer, that from the first time I tried my hand at an advertisement, my success was such, that for some time after I led a most extraordinary life indeed ! Sneer. How, pray ? Puff. Sir, I supported myself two years entirely by my misfortunes. Sneer. By your misfortunes? Puff.
Page 41 - That's truly great. What, think you, 'twas set up The Greek and Roman name in such a lustre, But doing right in stern despite to nature ; Shutting their ears to all her little cries, When great, august, and godlike justice...
Page 26 - I open with a clock striking, to beget an awful attention in the audience: it also marks the time, which is four o'clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere.
Page 17 - I'll undertake to read you the whole, from beginning to end, with the prologue and epilogue, and allow time for the music between the acts. Mrs. Dang. I hope to see it on the stage next. Dang. Well, Sir Fretful, I wish you may be able to get rid as easily of the newspaper criticisms as you do of ours.
Page 8 - STAGE DIRECTIONS. The Conductors of this Work print no Plays but those which they have seen acted. The Stage Directions are given from their own personal observations, during the most recent performances.
Page 38 - Yes, I think there is something like it in Othello. Puff. Gad ! now you put me in mind on't, I believe there is — but that's of no consequence — all that can be said is, that two people happened to hit on the same thought— and Shakespeare made use of it first, that's alL Sneer.