Shakespeare and Religion: Essays of Forty Years, Volume 7First Published in 2002. Part of the G.Wilson Knight collection, the essays included in this volume constitute a fairly consistent record of his attempts over a period of some forty years to explore the deeper significances of Shakespearian poetry and drama. |
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Page 23
... remains so universally important and his appeal so wide. Though locally generated, his work has global implications. The harmony did not last, politically, but after the Civil War a balance was established, and has, if only ...
... remains so universally important and his appeal so wide. Though locally generated, his work has global implications. The harmony did not last, politically, but after the Civil War a balance was established, and has, if only ...
Page 26
... remains ephemeral, a hint, an influence; it does not saturate our daily life, like a religion. It may do this for the creative artist himself but not, except in rare instances, for his audience. At the Renaissance dramatic ritual passed ...
... remains ephemeral, a hint, an influence; it does not saturate our daily life, like a religion. It may do this for the creative artist himself but not, except in rare instances, for his audience. At the Renaissance dramatic ritual passed ...
Page 30
... remains deathless as a symbol and an exemplar. Aeschylus' Athens, Vergil's Rome, Shakespeare's England—all live on as, in my brother's phrase for Vergil's Rome, a 'spiritual city'. Having first their own warm life, they become for later ...
... remains deathless as a symbol and an exemplar. Aeschylus' Athens, Vergil's Rome, Shakespeare's England—all live on as, in my brother's phrase for Vergil's Rome, a 'spiritual city'. Having first their own warm life, they become for later ...
Page 46
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Page 91
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Contents
1 | |
II BRUTUS AND CASSIUS 1927 | 39 |
Ill THE POET AND IMMORTALITY 1928 | 43 |
IV ROMANTIC FRIENDSHIP 1929 | 53 |
V MYSTIC SYMBOLISM 1931 | 65 |
VI JESUS AND SHAKESPEARE 1934 | 69 |
VII ON HENRY VIII 1936 | 75 |
VIII THE MAKING OF MACBETH 1936 | 83 |
XV NEW DIMENSIONS IN SHAKESPEARIAN INTERPRETATION 1959 | 197 |
XVI TIMON OF ATHENS AND ITS DRAMATIC DESCENDANTS 1961 | 211 |
XVII THE TRAGIC ENIGMA 1964 | 223 |
XVIII SHAKESPEARE AND RELIGION 1964 | 227 |
XIX SHAKESPEARE AND THE ENGLISH LANGUAGE 1964 | 241 |
XX NEW LIGHT ON THE SONNETS 1964 | 253 |
XXI C B PURDOMS SHAKESPEARIAN THEORY 1964 | 267 |
XXII SHAKESPEARE AND THE SUPERNATURAL 1964 | 281 |
IX ST GEORGE AND THE DRAGON composed 1940 | 91 |
X FROM THIS SCEPTRED ISLE 1941 | 113 |
XI FOUR PILLARS OF WISDOM 1941 | 119 |
XII SHAKESPEARES WORLD 1942 | 133 |
A STUDY OF APU OLLANTAY 1947 | 139 |
XIV THE AVENGING MIND 1948 | 181 |
XXIII CHRISTIAN DOCTRINE 1965 | 293 |
XXIV SYMBOLISM 1966 | 305 |
APPENDIXES | 319 |
INDEXES | 365 |
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Common terms and phrases
action Aeschylus Antony appears Athens becomes Byron called certainly Christ Christian concerned creative criticism Crown danger death direct discussed drama Elizabethan England essay evil exist experience feel final force give greater Hamlet heart Henry VIII hero historical human imaginative important Inca interesting interpretation kind King less literature living Macbeth matter meaning mind mysterious nature never Ollantay once perhaps phrase play poet poetic poetry present problem question reference regard relation religious remains Richard royal scene seems sense Shake Shakespeare Shakespearian shows society Sonnets soul speak speech spiritual stage story suggest supposed symbolism Tempest theme things thou thought Timon tradition tragedy tragic true truth vision whole writing