Blues, Ideology, and Afro-American Literature: A Vernacular Theory

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University of Chicago Press, Nov 22, 2013 - 295 pages
Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
 

Contents

Introduction
1
Archaeology Ideology and AfroAmerican Discourse
15
Generational Shifts AfroAmerican Literary Critcism and the Study of Expressive Culture
64
Fictive Discourse Black Wholes and a Blues Book Most Excellent
113
Conclusion
200
Notes
205
Index
221
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About the author (2013)

Houston Baker is one of the most persistent voices in African American literary criticism, one that has helped to establish a tradition in black literature from slave narratives and spirituals to blues and modern African American writing. He is a frequent contributor to literary journals, author and editor of numerous books, and a leading mover in the diversification of American literature.

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