Reading Mystery Science Theater 3000: Critical Approaches
Shelley S. Rees
Scarecrow Press, May 9, 2013 - Performing Arts - 176 pages
First broadcast in the not too distant past on a television station in Minnesota, Mystery Science Theater 3000 soon grew out of its humble beginnings and found a new home on cable television. This simple show about a man and two robots forced to watch bad movies became a cult classic, and episodes of the series continue to be packaged in DVD collections to this day. Before its final run, the show received Emmy nominations and a Peabody award for Television excellence, and in 2007, Time magazine declared MST3K one of “The 100 Best Shows of All-Time.”
In Reading Mystery Science Theater 3000: Critical Approaches, Shelley S. Rees presents a collection of essays that examines the complex relationship between narrative and audience constructed by this baffling but beloved television show. Invoking literary theory, cultural criticism, pedagogy, feminist criticism, humor theory, rhetorical analysis, and film and media studies, these essays affirm the show’s narrative and rhetorical intricacy. The first section, “Rhetoric and the Empowered Audience,” addresses MST3K’s function as an exercise in rhetorical resistance. Part Two, “Mystery Science Theater 3000 and Genre,” analyzes MST3K through distinct generic traditions, including humor studies, traditional science fiction tropes, and the B-movie. Finally, the third section addresses postmodern and intertextual readings of the show.
By providing an academic treatment of an iconic television phenomenon, these essays argue that Mystery Science Theater 3000 is worthy of serious scholarly attention. Though aimed at a discerning readership of academics, this collection will also appeal to the intellectual nature of the show’s well-educated audience.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Mystery Science Theater 3000 and Genre
Intertextuality and Postmodernism in Mystery Science Theater 3000
3000 Theme Song Angeles Bakhtin Barthes bots Captive Audience characters cinematic Comedy Central commentary context creators critical critique Crow Cult David Foster Wallace Day the Earth dialogic Directed by Trace discourse Dostoevsky’s Earth Froze edited example fans ﬁlm Gallery with Mystery genre Hamlet heteroglossia human ideological interpretation intertextuality Interview Jim Mallon Joel Hodgson joke Journal of Film Kevin Murphy literature machines Mads Mary Jo Pehl Media Consciousness ments metafiction metafictional parody Michael Midwest Midwestern mock Monster moral imagination MST3I MST3K Mystery Science Theater narrative novel overt metafiction play Poetics popular culture production Postmodern Postmodern Allegory reﬂect resistance rhetorical Rhino riffing riffs Robot Holocaust role Satellite of Love scene sci-fi Science Theater 3000 screen Servo sexism Shakespeare short show’s stereotypes subject position Technology technophobia television show Theater 3000 Collection Theater 3000 Theme tion Tom Servo Trace Beaulieu traditional University Press viewers watching Wisconsin women York