Cubism and Twentieth-century Art |
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Contents
PART ONE THE FOUNDATIONS OF CUBISM I Picasso and Braque 19051908 page | 9 |
Picasso and Braque 19091911 | 36 |
Picasso and Braque 19121924 | 68 |
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abstract Analytic Cubism Archipenko Art Louise artist bottle Braque and Picasso Braque's Cézanne Cézanne's Chagall collage color complex contemporary contours contrast Cubist Cubist painting Cubist vocabulary Delaunay Demoiselles d'Avignon Duchamp-Villon earlier evoke exhibition Feininger Fernand Léger figure flat forms fragments Fresnaye Futurists Gallery geometric Georges Braque Gleizes goblet Gris's Guitar Harlequin human illusion Jacques Villon Joan Miró Juan Gris Kahnweiler L'Estaque landscape Les Demoiselles d'Avignon Lipchitz machine Marc Marcoussis Metzinger Modern Art Mondrian Museum of Art Museum of Modern Nude Oil on canvas Pablo Picasso palette parallel Paris Parisian pasted papers patterns Philadelphia Museum Picabia Picasso and Braque pictorial planes portrait Private collection reality Robert Delaunay Salon des Indépendants shapes solid and void space Spanish spatial still-life objects strange structure style suggested symbols Synthetic Cubism table top texture theme tradition transformed transparent trompe-l'oeil Umberto Boccioni vertical viewpoint Violin visual Walter Arensberg Walter Arensberg Collection window Woman York