Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 78
... lovers and be recognized as the greatest lover the world has ever known . The achievement he imagines may imply the defeat of all other heroic lovers , but his victory would in no sense be the defeat of his own lover . He does not seek ...
... lovers and be recognized as the greatest lover the world has ever known . The achievement he imagines may imply the defeat of all other heroic lovers , but his victory would in no sense be the defeat of his own lover . He does not seek ...
Page 237
... lover tales , duped - husband or duped - lover type , can be the sole or even the principal source of Falstaff's wooing of Mistress Ford . This state of affairs is what makes the lost - play theory so enchanting . Besides , the argument ...
... lover tales , duped - husband or duped - lover type , can be the sole or even the principal source of Falstaff's wooing of Mistress Ford . This state of affairs is what makes the lost - play theory so enchanting . Besides , the argument ...
Page 299
... lover . But his selfish- ness is insidious , not a consequence of courtly love so much as an indication that he may not be in love of any kind with Cressida . Celia's caveats to Rosalind about Orlando ( erroneous , as it turns out ) ...
... lover . But his selfish- ness is insidious , not a consequence of courtly love so much as an indication that he may not be in love of any kind with Cressida . Celia's caveats to Rosalind about Orlando ( erroneous , as it turns out ) ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York