Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 189
... characters exiting and those entering . The characters exiting at the end of 3.3 inhabit an inside set- ting ; thus , rather than " Storm still " coming at the begin- ning of 3.4 , the Folio gives us that direction shortly after the ...
... characters exiting and those entering . The characters exiting at the end of 3.3 inhabit an inside set- ting ; thus , rather than " Storm still " coming at the begin- ning of 3.4 , the Folio gives us that direction shortly after the ...
Page 207
... characters from outside the plot : Like the Greeks , all the Latin writers but Terence have theoi apo mechanes — that is , " gods from a ma- chine " -to narrate stories . Besides , the other comic writers do not readily admit protatika ...
... characters from outside the plot : Like the Greeks , all the Latin writers but Terence have theoi apo mechanes — that is , " gods from a ma- chine " -to narrate stories . Besides , the other comic writers do not readily admit protatika ...
Page 355
... Character Index The Cumulative Character Index identifies the principal characters of discussion in the criticism of each play and non - dramatic poem . The characters are arranged alphabetically . Page references indicate the beginning ...
... Character Index The Cumulative Character Index identifies the principal characters of discussion in the criticism of each play and non - dramatic poem . The characters are arranged alphabetically . Page references indicate the beginning ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York