Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 5
... becomes for Proteus a playing out of the initial tension between his love for Valentine and his love for Julia , almost as though the betrayal of Valentine involved in loving Julia had to become literalized in order to serve its psychic ...
... becomes for Proteus a playing out of the initial tension between his love for Valentine and his love for Julia , almost as though the betrayal of Valentine involved in loving Julia had to become literalized in order to serve its psychic ...
Page 108
... becomes the more urgent : " Legitimate Edgar , I must have your land " ( 1.2.16 ; italics mine ) . He sees through one level of ideological legitimation only to remain the more thoroughly enmeshed with it at a deeper level . Edmund ...
... becomes the more urgent : " Legitimate Edgar , I must have your land " ( 1.2.16 ; italics mine ) . He sees through one level of ideological legitimation only to remain the more thoroughly enmeshed with it at a deeper level . Edmund ...
Page 257
... becomes the lost object of desire , which brings desire itself into being through entry into the symbolic order under the sway of the law of the father . Hal's career repeats a primal pattern , but he becomes the master of himself and ...
... becomes the lost object of desire , which brings desire itself into being through entry into the symbolic order under the sway of the law of the father . Hal's career repeats a primal pattern , but he becomes the master of himself and ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York