Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 132
... Kent . I should like to review his career in some detail . In the opening scene of the play Kent finds himself in the uncomfortable position of having to choose between Love and Truth . Like most idealists , he decides that he must ...
... Kent . I should like to review his career in some detail . In the opening scene of the play Kent finds himself in the uncomfortable position of having to choose between Love and Truth . Like most idealists , he decides that he must ...
Page 177
... Kent : " I [ Kent ] know ' tis from Cordelia ( Who ... course ) and [ I , Kent , ] shall find time " to remedy losses . Many editors have so understood and punctuated the lines , giving a very different meaning from that in the Folio ...
... Kent : " I [ Kent ] know ' tis from Cordelia ( Who ... course ) and [ I , Kent , ] shall find time " to remedy losses . Many editors have so understood and punctuated the lines , giving a very different meaning from that in the Folio ...
Page 191
... Kent urges Lear to enter . Three times Lear directs Kent or the Fool toward the door . While Lear mediates on " Poor naked wretches " ( 28 ) , the Fool does go in , only to burst out crying , " Come not in here , Nuncle ; here's a ...
... Kent urges Lear to enter . Three times Lear directs Kent or the Fool toward the door . While Lear mediates on " Poor naked wretches " ( 28 ) , the Fool does go in , only to burst out crying , " Come not in here , Nuncle ; here's a ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York