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CHOICE

OF

LITERATURE.

MOTHER RIGBY'S PIPE.

Nathaniel Hawthorne, born in Salem, Massachusetts, 4th July, 1804; died in Plymouth, New Hampshire, 19th May, 1864. Novelist. He held various appointments under the American government, the most important of which was that of consul at Liverpool. His works are: Twice-told Tales; Mosses from an Old Manse; The Scarlet Letter; The House of the Seven Gables; The Blithedale Romance (in this novel he embodies his experience of the Brook Farm Community, of which he was a member for about a year); The Mar

ble Faun; The Snow Image, and other Twice told Tales; Grandfather's Chair: The Wonder Book for girls and boys; Tanglewood Tales; Life of Franklin Pierce, President of the United States; Septimius, a novel which, unhappily, he did not live to complete; English and American Note Books. The following story is one of

kindled that morning. Forthwith, however, as soon as the order was given, there was an intense red glow out of the bowl of the pipe, and a whiff of smoke from Mother Rigby's lips. Whence the coal came, and how brought thither by an invisible hand, I have never been able to discover.

"Good!" quoth Mother Rigby, with a nod of her head, "thank ye, Dickon! And now for making this scarecrow. Be within call, Dickon, in case I need you again."

It

The good woman had risen thus early (for as yet it was scarcely sunrise), in order to set about making a scarecrow, which she intended to put in the middle of her corn-patch. was now the latter week of May, and the crows and blackbirds had already discovered the little, green, rolled-up leaf of the Indian corn She was deterjust peeping out of the soil. mined, therefore, to contrive as lifelike a scarecrow as ever was seen, and finish it imme

seven, which in 1873 were published (King & Co.) for the first time in England by Mr. H. A. Page, accompanied by a singularly powerful biographical and critical study of the author. "The characteristics of Hawthorne which first arrest the attention," says Mr. R. W. Griswold, an American critic, "are imagination and reflection; and these are exhibited in remark-diately, from top to toe, so that it should able power and activity in tales and essays, of which begin its sentinel's duty that very morning. the style is distinguished for great simplicity, purity, Now Mother Rigby (as everybody must have and tranquillity." Of "Mother Rigby's Pipe," Mr. heard) was one of the most cunning and Page says: "Here we have an illustration of his (Haw-potent witches in New England, and might, thorne's) unique power of concentrating himself upon one point, and throwing down on it from all sides the most capricious lights of fancy; while yet never ceasing to moralize through a delicate medium of allegory. The meanings are profound enough, but the humour is of the finest, and relieves their presence;

gently lighting up the whole now and then, suddenly

as a smile will unexpectedly pass over a pensive countenance. It required no little skill so to use witchcraft as to gently satirize by means of it the artificialities and follies of the present."]

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with very little trouble, have made a scarecrow ugly enough to frighten the minister himself. But on this occasion, as she had awakened in an uncommonly pleasant humour, and was further dulcified by her pipe of tobacco, she resolved to produce something fine, beautiful, and splendid, rather than hideous and horrible.

"I don't want to set up a hobgoblin in my own corn-patch, and almost at my own doorstep," said Mother Rigby to herself, puffing out a whiff of smoke: "I could do it if I pleased, but I'm tired of doing marvellous things, and so I'll keep within the bounds of everyday business, just for variety's sake. Besides, there is no use in scaring the little children for a mile roundabout, though 'tis true I'm a witch."

It was settled, therefore, in her own mind, that the scarecrow should represent a fine gentleman of the period, so far as the materials at hand would allow. Perhaps it may be as well to enumerate the chief of the articles that went to the composition of this figure.

The most important item of all, probably, although it made so little show, was a certain broomstick, on which Mother Rigby had taken many an airy gallop at midnight, and which now served the scarecrow by way of a spinal column, or, as the unlearned phrase it, a backbone. One of its arms was a disabled flail which used to be wielded by Goodman Rigby, before his spouse worried him out of this troublesome world; the other, if I mistake not, was composed of the pudding stick and a broken rung of a chair, tied loosely together at the elbow. As for its legs, the right was a hoe handle, and the left an undistinguished and miscellaneous stick from the woodpile. Its lungs, stomach, and other affairs of that kind were nothing better than a meal bag stuffed with straw. Thus we have made out the skeleton and entire corporicity of the scarecrow, with the exception of his head; and this was admirably supplied by a somewhat withered and shrivelled pumpkin, in which Mother Rigby cut two holes for the eyes, and a slit for the mouth, leaving a bluish-coloured knob in the middle to pass for a nose. It was really quite a respectable face.

"I've seen worse ones on human shoulders, at any rate," said Mother Rigby. "And many a fine gentleman has a pumpkin head, as well as my scarecrow."

But the clothes, in this case, were to be the making of the man. So the good old woman took down from a peg an ancient plum-coloured coat of London make, and with relics of embroidery on its seams, cuffs, pocket-flabs, and button-holes, but lamentably worn and faded, patched at the elbows, tattered at the skirts, and threadbare all over. On the left breast was a round hole, whence either a star of nobility had been rent away, or else the hot heart of some former wearer had scorched it through and through. The neighbours said that this rich garment belonged to the Black Man's wardrobe, and that he kept it at Mother Rigby's cottage for the convenience of slipping it on whenever he wished to make a grand appearance at the governor's table. To match the coat there was a velvet waistcoat of very ample size, and formerly embroidered with foliage that had been as brightly golden as the maple leaves in October, but which had

now quite vanished out of the substance of the velvet. Next came a pair of scarlet breeches, once worn by the French governor of Louisbourg, and the knees of which had touched the lower step of the throne of Louis le Grand. The Frenchman had given these smallclothes to an Indian powwow, who parted with them to the old witch for a gill of strong waters, at one of their dances in the forest. Furthermore, Mother Rigby produced a pair of silk stockings and put them on the figure's legs, where they showed as unsubstantial as a dream, with the wooden reality of the sticks making itself miserably apparent through the holes. Lastly, she put her dead husband's wig on the bare scalp of the pumpkin, and surmounted the whole with a dusty threecornered hat, in which was stuck the longest tail feather of a rooster.

Then the old dame stood the figure up in a corner of her cottage, and chuckled to behold its yellow semblance of a visage, with its nobby little nose thrust into the air. It had a strangely self-satisfied aspect, and seemed to say, "Come, look at me!"

"And you are well worth looking at, that's a fact!" quoth Mother Rigby, in admiration of her own handiwork! "I've made many a puppet since I've been a witch; but methinks this is the finest of them all. 'Tis almost too good for a scarecrow. And, by the by, I'll just fill a fresh pipe of tobacco, and then take him out to the corn-patch."

While filling her pipe, the old woman continued to gaze with almost motherly affection at the figure in the corner. To say the truth, whether it were chance, or skill, or downright witchcraft, there was something wonderfully human in this ridiculous shape, bedizened with its tattered finery; and as for the countenance, it appeared to shrivel its yellow surface into a grin—a funny kind of expression betwixt scorn and merriment, as if it understood itself to be a jest at mankind. The more Mother Rigby looked, the better she was pleased.

"Dickon," cried she sharply, "another coal for my pipe!"

Hardly had she spoken, when, just as before, there was a red-glowing coal on the top of the tobacco. She drew in a long whiff and puffed it forth again into the bar of morning sunshine which struggled through the one dusty pane of her cottage window. Mother Rigby always liked to flavour her pipe with a coal of fire from the particular chimney corner whence this had been brought. But where that chimney corner might be, or who brought

the coal from it-further than that the invis- | pungently aromatic smoke which exhaled from ible messenger seemed to respond to the name the kindled weed. The figure, after a few of Dickon-I cannot tell. doubtful attempts, at length blew forth a vol"That puppet yonder," thought Motherley of smoke extending all the way from the Rigby, still with her eyes fixed on the scarecrow, "is too good a piece of work to stand all summer in a corn-patch, frightening away the crows and blackbirds. He's capable of better things. Why, I've danced with a worse one, when partners happened to be scarce, at our witch meetings in the forest! What if I should let him take his chance among other men of straw and empty fellows who go bustling about the world?"

obscure corner into the bar of sunshine. There it eddied and melted away among the motes of dust. It seemed a convulsive effort; for the two or three next whiffs were fainter, although the coal still glowed and threw a gleam over the scarecrow's visage. The old witch clapped her skinny hands together, and smiled encouragingly upon her handiwork. She saw that the charm worked well. The shrivelled, yellow face, which heretofore had

The old witch took three or four more whiffs been no face at all, had already a thin, fanof her pipe and smiled.

"He'll meet plenty of his brethren at every street-corner!" continued she. "Well; I didn't mean to dabble in witchcraft to-day, further than the lighting of my pipe; but a witch I am, and a witch I'm likely to be, and there's no use trying to shirk it. I'll make a man of my scarecrow, were it only for the joke's sake!"

While muttering these words, Mother Rigby took the pipe from her own mouth and thrust it into the crevice which represented the same feature in the pumpkin visage of the scare

crow.

"Puff, darling, puff!" said she. "Puff away, my fine fellow! your life depends upon it!"

This was a strange exhortation, undoubt edly, to be addressed to a mere thing of sticks, straw, and old clothes, with nothing better than a shrivelled pumpkin for a head; as we know to have been the scarecrow's case. Nevertheless, as we must carefully hold in remembrance, Mother Rigby was a witch of singular power and dexterity; and, keeping this fact duly before our minds, we shall see nothing beyond credibility in the remarkable incidents of our story. Indeed, the great difficulty will be at once got ever, if we can only bring ourselves to believe that, as soon as the old dame bade him puff, there came a whiff of smoke from the scarecrow's mouth. It was the very feeblest of whiffs, to be sure; but it was followed by another and another, each more decided than the preceding one.

"Puff away, my pet! puff away, my pretty one!" Mother Rigby kept repeating, with her pleasantest smile. "It is the breath of life to ye; and that you may take my word for."

Beyond all question the pipe was bewitched. There must have been a spell either in the tobacco, or in the fiercely-glowing coal that so mysteriously burned on the top of it, or in the

tastic haze, as it were, of human likeness, shifting to and fro across it; sometimes vanishing entirely, but growing more perceptible than ever with the next whiff from the pipe. The whole figure, in like manner, assumed a show of life, such as we impart to ill-defined shapes among the clouds, and half deceive ourselves with the pastime of our own fancy.

If we must needs pry closely into the matter, it may be doubted whether there was any real change, after all, in the sordid, worn-out, worthless, and ill-jointed substance of the scarecrow; but merely a spectral illusion, and a cunning effect of light and shade so coloured and contrived as to delude the eyes of most men. The miracles of witchcraft seem always to have had a very shallow subtlety; and, at least, if the above explanation do not hit the truth of the process, I can suggest no better.

"Well puffed, my pretty lad!" still cried old Mother Rigby. "Come, another good stout whiff, and let it be with might and main. Puff for thy life, I tell thee! Puff out of the very bottom of thy heart; if any heart thou hast, or any bottom to it! Well done, again! Thou did'st suck in that mouthful as if for the pure love of it."

And then the witch beckoned to the scarecrow, throwing so much magnetic potency into her gesture that it seemed as if it must inevitably be obeyed, like the mystic call of the loadstone when it summons the iron.

'Why lurkest thou in the corner, lazy one?" said she. "Step forth! Thou hast the world before thee!"

Upon my word, if the legend were not one which I heard on my grandmother's knee, and which had established its place among things credible before my childish judgment could analyze its probability, I question whether I should have the face to tell it now.

In obedience to Mother Rigby's word, and extending its arm as if to reach her out

stretched hand, the figure made a step forward their agony. In fear and trembling did this —a kind of hitch and jerk, however, rather poor scarecrow puff. But its efforts, it must than a step-then tottered and almost lost its be acknowledged, served an excellent purpose; balance. What could the witch expect? It for, with each successive whiff, the figure lost was nothing, after all, but a scarecrow stuck more and more of its dizzy and perplexing upon two sticks. But the strong-willed old tenuity and seemed to take denser substance. beldam scowled, and beckoned, and flung the Its very garments, moreover, partook of the energy of her purpose so forcibly at this poor magical change, and shone with the gloss of combination of rotten wood, and musty straw, novelty and glistened with the skilfully emand ragged garments, that it was compelled to broidered gold that had long been rent away. show itself a man, in spite of the reality of And, half-revealed among the smoke, a yellow things. So it stepped into the bar of sun- visage bent its lustreless eyes on Mother shine. There it stood-poor devil of a contri- | Rigby. vance that it was!-with only the thinnest vesture of human similitude about it, through which was evident the stiff, ricketty, incongruous, faded, tattered, good-for-nothing patchwork of its substance, ready to sink in a heap upon the floor, as conscious of its own unworthiness to be erect. Shall I confess the truth? At its present point of vivification, the scarecrow reminds me of some of the lukewarm and abortive characters, composed of heterogeneous materials, used for the thousandth time, and never worth using, with which romance writers (and myself, no doubt, among the rest) have so over-peopled the world of fiction.

But the fierce old hag began to get angry and show a glimpse of her diabolic nature (like a snake's head, peeping with a hiss out of her bosom), at this pusillanimous behaviour of the thing which she had taken the trouble to put together.

"Puff away, wretch!" cried she wrathfully. "Puff, puff, puff, thou thing of straw and emptiness! thou rag or two! thou meal bag! thou pumpkin head! thou nothing! Where shall I find a name vile enough to call thee by? Puff, I say, and suck in thy fantastic life along with the smoke; else I snatch the pipe from thy mouth and hurl thee where that red coal came from."

Thus threatened, the unhappy scarecrow had nothing for it but to puff away for dear life.

At last the old witch clinched her fist and shook it at the figure. Not that she was positively angry, but merely acting on the principle-perhaps untrue, or not the only truth, though as high a one as Mother Rigby could be expected to attain-that feeble and torpid natures, being incapable of better inspiration, must be stirred up by fear. But here was the crisis. Should she fail in what she now sought to effect, it was her ruthless purpose to scatter the miserable simulacre into its original elements.

"Thou hast a man's aspect," said she, sternly. "Have also the echo and mockery of a voice! I bid thee speak!"

The scarecrow gasped, struggled, and at length emitted a murmur, which was so incorporated with its smoky breath that you could scarcely tell whether it were indeed a voice or only a whiff of tobacco. Some narrators of this legend hold the opinion that Mother Rigby's conjurations and the fierceness of her will had compelled a familiar spirit into the figure, and that the voice was his.

"Mother," mumbled the poor stifled voice, "be not so awful with me! I would fain speak; but being without wits, what can I say?"

"Thou canst speak, darling, canst thou?" cried Mother Rigby, relaxing her grim countenance into a smile. "And what shalt thou say, quotha! Say, indeed! Art thou of the As need was, therefore, it applied itself brotherhood of the empty skull, and demandlustily to the pipe, and sent forth such abun-est of me what thou shalt say? Thou shalt dant volleys of tobacco smoke that the small cottage became all vaporous. The one sunbeam struggled mistily through, and could but imperfectly define the image of the cracked and dusty window pane on the opposite wall. Mother Rigby, meanwhile, with one brown arm akimbo and the other stretched towards the figure, loomed grimly amid the obscurity with such port and expression as when she was wont to heave a ponderous nightmare on her victims, and stand at the bedside to enjoy

say a thousand things, and saying them a
thousand times over, thou shalt still have said
nothing! Be not afraid, I tell thee! When
thou comest into the world (whither I purpose
sending thee forthwith), thou shalt not lack
the wherewithal to talk. Talk! Why thou
shalt babble like a mill-stream, if thou wilt.
Thou hast brains enough for that, I trow!"
"At your service, mother," responded the
figure.

"And that was well said, my pretty one,"

ing metropolis. The token was neither more nor less than a single word, which Mother Rigby whispered to the scarecrow, and which the scarecrow was to whisper to the merchant. "Gouty as the old fellow is, he'll run thy errands for thee, when once thou hast given him that word in his ear," said the old witch. "Mother Rigby knows the worshipful Justice Gookin, and the worshipful Justice knows Mother Rigby!"

answered Mother Rigby. "Then thou spakest | stood at the head of society in the neighbourlike thyself, and meant nothing. Thou shalt have a hundred such set phrases, and five hundred to the boot of them. And now, darling, I have taken so much pains with thee, and thou art so beautiful, that, by my troth, I love thee better than any witch's puppet in the world; and I've made them of all sorts-clay, wax, straw, sticks, night-fog, morning-mist, sea-foam, and chimney-smoke. But thou art the very best. So give heed to what I say."

"Yes, kind mother," said the figure, "with all my heart!"

"With all thy heart!" cried the old witch, setting her hands to her sides and laughing loudly. "Thou hast such a pretty way of speaking. With all thy heart! And thou didst put thy hand to the left side of thy waistcoat as if thou really hadst one!"

So now, in high good humour with this fantastic contrivance of hers, Mother Rigby told the scarecrow that it must go and play its part in the great world, where not one man in a hundred, she affirmed, was gifted with more real substance than itself. And, that he might hold up his head with the best of them, she endowed him, on the spot, with an unreckonable amount of wealth. It consisted partly of a gold mine in Eldorado, and of ten thousand shares in a broken bubble, and of half a million of acres of vineyard at the North Pole, and of a castle in the air, and a château in Spain, together with all the rents and income therefrom accruing. She further made over to him the cargo of a certain ship, laden with salt from Cadiz, which she herself, by her necromantic arts, had caused to founder, ten years before, in the deepest part of mid-ocean. If the salt were not dissolved, and could be brought to market, it would fetch a pretty penny among the fishermen. That he might not lack ready money, she gave him a copper farthing of Birmingham manufacture, being all the coin she had about her, and likewise a great deal of brass, which she applied to his forehead, thus making it yellower than ever.

"With that brass alone," quoth Mother Rigby, "thou canst pay thy way over all the earth. Kiss me, pretty darling! I have done my best for thee."

Furthermore, that the adventurer might lack no possible advantage towards a fair start in life, this excellent old dame gave him a token by which he was to introduce himself to a certain magistrate, member of the council, merchant, and elder of the Church (the four capacities constituting but one man), who

Here the witch thrust her wrinkled face close to the puppet's, chuckling irrepressibly, and fidgetting all through her system with delight at the idea which she meant to communicate.

"The worshipful Master Gookin," whispered she, "hath a comely maiden to his daughter. And hark ye, my pet! Thou hast a fair outside, and a pretty wit enough of thine own. Yea, a pretty wit enough! Thou wilt think better of it when thou hast seen more of other people's wits. Now, with thy outside and thy inside, thou art the very man to win a young girl's heart.

Never doubt it! I tell thee it shall be so. Put but a bold face on the matter; sigh, smile, flourish thy hat, thrust forth thy leg like a dancing master, put thy right hand to the left side of thy waistcoat, and pretty Polly Gookin is thine own!"

All this while the new creature had been sucking in and exhaling the vapoury fragrance of his pipe, and seemed now to continue this occupation as much for the enjoyment it afforded as because it was an essential condition of his existence. It was wonderful to see how exceedingly like a human being it behaved. Its eyes (for it appeared to possess a pair), were bent on Mother Rigby, and at suitable junctures it nodded or shook its head. Neither did it lack words suitable for the occasion: "Really! Indeed! Pray tell me! Is it possible! Upon my word! By no means! O! Ah! Hem!" and other such weighty utterances as imply attention, inquiry, acquiescence, or dissent on the part of the auditor. had you stood by and seen the scarecrow made, you could scarcely have resisted the conviction that it perfectly understood the cunning counsels which the old witch poured into its counterfeit of an ear. The more earnestly it applied its lips to the pipe the more distinctly was its human likeness stamped among visible realities, the more sagacious grew its expression, the more lifelike its gestures and movements, and the more intelligibly audible its voice. Its garments, too, glistened so much the brighter with an illusory magnificence. The

Even

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