Gilles Deleuze: Image and TextEugene W. Holland, Daniel W. Smith, Charles J. Stivale Gilles Deleuze: Image and Text focuses on the intersection between Deleuzian philosophy and the arts. Deleuze combined exceptionally rigorous insight into important Western philosophers with an extraordinary sensitivity to literature, music, painting and film. He was intensely interested in the medium of thought, which is by no means limited to philosophy alone: it also takes place in science, mathematics, literature, painting and cinema, to name just some of the genres of thought to which Deleuze most often refers. His own thinking emerged almost as often in conversation with artists and literary writers as in engagement with other philosophers, and his philosophy cannot be fully grasped without an understanding of his engagement with the arts. This significant and timely collection of essays from an international team of leading Deleuze scholars brings together interpretations and commentaries from Deleuzian perspectives on subjects such as literature, painting, music and film. The book represents diverse modes of engagement with Deleuze's philosophical concepts and problems and demonstrates the central role the arts play in any understanding of his philosophical ideas. |
Other editions - View all
Gilles Deleuze: Image and Text Eugene W. Holland,Daniel W. Smith,Charles J. Stivale Limited preview - 2009 |
Gilles Deleuze: Image and Text Eugene W. Holland,Daniel W. Smith,Charles J. Stivale No preview available - 2009 |
Gilles Deleuze: Image and Text Eugene W. Holland,Daniel Warren Smith,Charles J. Stivale No preview available - 2009 |
Common terms and phrases
action activity actual aesthetic affect animal architecture Artaud artist becoming beginning Bergson body causes cinema colours composition concept connectibility construction contemporary continuous create Critical Deleuze and Guattari Deleuze’s described direct discussion encounter essay event example existence experience expression extension face fact first forces freedom function future Gilles give human ideas immanence individual intensity kind knowledge landscape language light literature living Logic London material Matisse means memory modes movement moving nature never Notes object organs painting Paris past perception perhaps person philosophy plane play political Portraits possible potential practice present Press principle problem production pure question relation Repetition representation selection sensation sense social space Spinoza Stein structure suggests territory things thought tion trans turn University Press virtual whole Writings York
