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WHEN the newly discovered Portrait of our great Dramatick Writer was first shown in Castle Street, the few remaining advocates for the Chandosan canvas observed, that its unwelcome rival exhibited not a single trait of Shakspeare. But, all on a sudden, these criticks have shifted their ground; and the representation originally pronounced to have been so unlike our author, is since declared to be an immediate copy from the print by Martin Droeshout.

But by what means are such direct contrarieties of opinion to be reconciled? If no vestige of the Poet's features was discernible in the Picture, how is it proved to be a copy from an engraving by which alone those features can be ascertained? No man will assert one thing to have been imitated from another, without allowing that there is some unequivocal and determined similitude between the objects compared.-The truth is, that the first point of objection to this unexpected Portrait was soon overpowered by a general suffrage in its favour. A second attack was therefore hazarded, and has yet more lamentably failed.

As a further note of the originality of the Head belonging to Mr. Felton, it may be urged, that the artist who had ability to produce such a delicate

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