Patterns in Shakespearian TragedyFirst published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Page 10
... evil . Just as Adam , in spite of his fall from Paradise , had , by the grace of God , been given the knowledge by means of which he might eventually overcome evil , the Shakespearian tragic hero through the process of his destruction ...
... evil . Just as Adam , in spite of his fall from Paradise , had , by the grace of God , been given the knowledge by means of which he might eventually overcome evil , the Shakespearian tragic hero through the process of his destruction ...
Page 17
... evil in the world . In his encounter with evil Titus fails . He rejects the way of redemption which is offered him in the choral commentary of his brother , Marcus , and he moves towards inevitable damnation . By the life journey of his ...
... evil in the world . In his encounter with evil Titus fails . He rejects the way of redemption which is offered him in the choral commentary of his brother , Marcus , and he moves towards inevitable damnation . By the life journey of his ...
Page 18
... evil too is destroyed , so that the audience , while lamenting the damnation of one soul , may have a renewed awareness of the perfection of God's order and of the operation of justice in the world . Marcus points out the path which ...
... evil too is destroyed , so that the audience , while lamenting the damnation of one soul , may have a renewed awareness of the perfection of God's order and of the operation of justice in the world . Marcus points out the path which ...
Page 19
... Evil in Titus Andronicus is already envisaged as a motiveless force which operates through deception , and Shakespeare has learned to express its mode of operation in the appearance and action of a dramatic character . Evil is always ...
... Evil in Titus Andronicus is already envisaged as a motiveless force which operates through deception , and Shakespeare has learned to express its mode of operation in the appearance and action of a dramatic character . Evil is always ...
Page 21
... evil forces which his own sins have un- leashed upon him . By the second scene of the third act , Titus has begun to plot his revenge , and the rest of the play is concerned with its execution . This revenge is a rejection of the ...
... evil forces which his own sins have un- leashed upon him . By the second scene of the third act , Titus has begun to plot his revenge , and the rest of the play is concerned with its execution . This revenge is a rejection of the ...
Contents
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Common terms and phrases
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York