Parade's End: Introduction by Malcolm Bradbury

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Knopf Doubleday Publishing Group, Dec 15, 1992 - Fiction - 968 pages

Ford Madox Ford's acclaimed masterpiece is widely considered one of the best novels of the twentieth century.

Parade's End was originally published in four parts (Some Do Not . . ., No More Parades, A Man Could Stand Up--, and Last Post) between 1924 and 1928. It explores the world of the English ruling class as it descends into the chaos of World War I, as seen through the life of Christopher Tietjens, an officer from a wealthy family who is torn between his unfaithful wife, Sylvia, and his suffragette mistress, Valentine. With scenes of sexual warfare that rival the devastation of its battlefield scenes, Parade's End is a profound dramatization of one man's internal struggles during a time of brutal world conflict. The culminating achievement of Ford's career, it fulfills his ambitious conception of the novelist's role as the historian of the present, capturing the essence of the age.

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Contents

Introduction
Select Bibliography xxix
No More Parades
311
Copyright

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About the author (1992)

Ford Madox Ford was born Ford Hermann Hueffer in England in 1873. In 1919 he changed his name to Ford Madox Ford in honour of his grandfather, the Pre-Raphaelite painter Ford Madox Brown, whose biography he had written. Ford was well-known for both his fiction and his criticism. He founded two influential journals, The English Review in 1908 and The Transatlantic Review in 1924, in which he championed many of the leading modernist writers of the day. His most famous novels include the tetralogy Parade’s End and The Good Soldier, which are still ranked among the greatest literary works of the twentieth century. Ford died in 1939, at age sixty-five, in France. A professor of English literature and American studies who has published numerous critical works, Malcolm Bradbury is also a novelist whose protagonists are academics who make muddles of their personal and professional lives. He maintains that his main concern is to explore problems and dilemmas of liberalism and issues of moral responsibility. The targets of Bradbury's satires include intellectual pretension, cultural myopia, and official smugness. His protagonists are largely sympathetic, if comic, failures at mastering their own fates in a world of absurd rules and regulations. His major novels include Eating People Is Wrong (1959), Stepping Westward (1965), and The History Man (1975). This last, a novel of intellectual and political conflict at an English university in the late 1960s, was made into a successful television minidrama. More recent novels include Rates of Exchange (1983) and Cuts (1987).

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