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Death may usurp on nature many hours,
And yet the fire of life kindle again
The overpressed spirits. I have heard
Of an Egyptian, had nine hours lien dead,
By good appliance was recovered.

Enter a Servant, with Boxes, Napkins, and Fire. Well said, well said; the fire and the cloths.

The rough and woful music that we have,

Cause it to sound, 'beseech you."

The vial once more ;-How thou stirr❜st, thou block ?→→
The music there.-I pray you give her air :-
Gentlemen,

This queen will live nature awakes; a warmth
Breathes out of her; she hath not been entranc'd
Above five hours. See, how she 'gins to blow
Into life's flower again!

1 Gent. The heavens, sir,

Through you, increase our wonder, and set up
Your fame for ever.

Cer. She is alive; behold,

Her eyelids, cases to those heavenly jewels
Which Pericles hath lost

Begin to part their fringes of bright gold;"

The diamonds of a most praised water

Appear, to make the world twice rich. O live,

And make us weep to hear your fate, fair creature,

Rare as you seem to be!

Thai. O dear Diana,

[She moves.

Where am I? Where's my lord? What world is this?

2 Gent. Is not this strange?

1 Gent. Most rare.

Cer. Hush, gentle neighbours ;

Lend me your hands: to the next chamber bear her.
Get linen; now this matter must be look'd to,

For her relapse is mortal. Come, come, come;
And Esculapius guide us!

[Exeunt, carrying THAISA away.

[5] Paulina in like manner in The Winter's Tale, when she pretends to bring Her mione to life, orders music to be played, to awake her from her trance. So also, the Physician in King Lear, when the King is about to wake from the sleep he had fallen into, after his frenzy:

"Please you draw near ;---Louder the music there?"

[6] So, in The Tempest:

"The fringed curtains of thine eye advance,
"And say what thou seest yond ?"

MALONE.

MALONE

SCENE III.

Tharsus. A Room in CLEON'S House.

Enter PERICLES,

CLEON, DIONYZA, LYCHORIDA, and MARINA.

Per. Most honour'd Cleon, I must needs be gone;
My twelve months are expir'd, and Tyrus stands
In a litigious peace. You, and your lady,

Take from my heart all thankfulness! The gods
Make up the rest upon you!

Cle. Your shafts of fortune, though they hurt you mortally,

Yet glance full wand'ringly on us.”

Dion. O your sweet queen!

That the strict fates had pleas'd you had brought her

hither,

To have bless'd mine eyes!

Per. We cannot but obey

The powers above us.

Could I rage and roar

As doth the sea she lies in, yet the end
Must be as 'tis. My babe Marina (whom
For she was born at sea, I have nam'd so,) here
I charge your charity withal, and leave her
The infant of your care; beseeching you
To give her princely training, that she may be
Manner'd as she is born.

Cle. Fear not, my lord:

Your grace, that fed my country with your corn,
(For which the people's prayers still fall upon you,)
Must in your child be thought on. If neglection
Should therein make me vile, the common body,
By you reliev'd, would force me to my duty :
But if to that my nature need a spur,

The gods revenge it upon me and mine,
To the end of generation!

Per. I believe you;

Your honour and your goodness teach me credit,

Without your vows.

Till she be married, madam,

By bright Diana, whom we honour all,

Unscissar'd shall this hair of mine remain,

[7] The sense of the passage should seem to be as follows.---All the malice of forfune is not confined to yourself. Though her arrows strike deeply at you, yet wan dering from their mark, they sometimes glance on us; as at present, when the uscertain state of Tyre deprives us of your company at Tharsus." STEEVENS.

Though I show will in't. So I take my leave.
Good madam, make me blessed in your care
In bringing up my child.

Dion. I have one myself,

Who shall not be more dear to my respect,

Than yours, my lord.

Per. Madam, my thanks and prayers.

Cle. We'll bring your grace even to the edge o'the shore ;

Then give you up to the mask'd Neptune,' and

The gentlest winds of heaven.

Per. I will embrace

Your offer. Come, dear'st madam.-O, no tears,
Lychorida, no tears :

Look to your little mistress, on whose grace
You may depend hereafter.-Come, my lord.

SCENE IV.

[Exeunt

Ephesus. A Room in CERIMON'S House. Enter CERIMON and THAISA.

Cer. Madam, this letter, and some certain jewels, Lay with you in your coffer: which are now

At your command.

Know you the character ?

Thai. It is my lord's.

That I was shipp'd at sea, I well remember,
Even on my yearning time; but whether there
Delivered or no, by the holy gods,

I cannot rightly say: But since king Pericles,
My wedded lord, I ne'er shall see again,
A vestal livery will I take me to,

And never more have joy.

Cer. Madam, if this you purpose as you speak, Diana's temple is not distant far,

Where you may 'bide until your date expire.'

[8] "Though I appear wilful and perverse by such conduct." Insidious waves that wear a treacherous smile:

"Subdola pellacis ridet clementia ponti." Lucretius.

[1] Until you die. So, in Romeo and Juliet:"

"The date is out of such prolixity."

MALONE.

STEEVENS.

The expression of the text is again used by our author in The rape of Lucrece : "An expir'd date, cancell'd, ere well begun."

Again, in Romeo and Juliet:

"----------and expire the term

"Of a despised life."

MALONE.

Moreover, if you please, a niece of mine
Shall there attend you.

Thai. My recompense is thanks, that's all;

Yet my good will is great, though the gift small. [Exeunt.

ACT IV.

Enter GOWER.

Gow. Imagine Pericles at Tyre,
Welcom'd to his own desire.
His woful queen leave at Ephess,
To Dian there a votaress.

Now to Marina bend your mind,
Whom our fast growing scene must find
At Tharsus, and by Cleon train'd
In music, letters; who hath gain'd
Of education all the grace,

Which makes her both the heart and place
Of general wonder. But alack!

2

That monster envy, oft the wrack
Of earned praise, Marina's life
Seeks to take off by treason's knife.
And in this kind hath our Cleon

One daughter, and a wench full grown,
Even ripe for marriage fight;3 this maid
Hight Philoten and it is said

:

For certain in our story, she

Would ever with Marina be :

Be't when she weav'd the sleided silk1
With fingers, long, small, white as milk;
Or when she would with sharp neeld wound
The cambric, which she made more sound

[2] Such an education as rendered her the center and situation of general wonder. We still use the heart of oak for the central part of it, and the heart of the land in much such another sense. Shakespeare in Coriolanus says, that one of his ladies is---" the spire and top of praise." STEEVENS.

[3] i. e. the combats of Venus; or night, which needs no explanation,
"Let heroes in the dusty field delight,

"Those limbs were fashion'd for a softer fight."
Dryden's version of Ovid's Epistle from Helen to Paris.

STEEVENS.

[4] Sleided silk is untwisted silk, prepared to be used in the weaver's sley or slay. PERCY

By hurting it; or when to the lute
She sung, and made the night-bird mute,
That still records with moan; or when
She would with rich and constant pen
Vail to her Mistress Dian; still
This Philoten contends in skill
With absolute Marina : so

With the dove of Paphos might the crow
Vie feathers white. Marina gets
All praises, which are paid as debts,
And not as given. This so darks
In Philoten all graceful marks,
That Cleon's wife, with envy rare,
A present murderer does prepare
For good Marina, that her daughter
Might stand peerless by this slaughter,
The sooner her vile thoughts to stead,
Lychorida, our nurse, is dead;
And cursed Dionyza hath

The pregnant instrument of wrath"

Prest for this blow. The unborn event

I do commend to your content :

Only I carry winged time

Post on the lame feet of my rhyme,

Which never could I so convey,

Unless your thoughts went on my way.

Dionyza does appear,

With Leonine, a murderer.

[Exit.

[5] To vail is to bow, to do homage. The author seems to mean---When she would compose supplicatory hymns to Diana, or verses expressive of her gratitude to Dionyza.

We might indeed read---Hail to her mistress Dian; i. e. salute her in verse.

STEEVENS.

That Dian, i. e. Diana, is the true reading, may, I think, be inferred from a passage in The Merchant of Venice; which may at the same time perhaps afford the best comment on that before us:

"Come, ho, and wake Diana with a hymn;
"With sweetest touches pierce your mistress' ear,
"And draw her home with music."

Agam, in A midsummer-Night's Dream:

"To be a barren sister all your life,

[6] i. e. highly accomplished, perfect.

"Chanting faint hymns to the cold fruitless moon.”

171 Pregnant is ready. So, in Hamlet:

MALONE.

"And crook the pregnant hinges of the knee,”

[8] Prest is ready; pret. Fr.

MALONE.

MALONE.

MALONE.

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