Thou, looking then about Wise child, didst hastily return, And mad'st thy mother's womb thine urn. How summed a circle didst thou leave mankind Of deepest lore, could we the centre find! THE ANTISTROPHE, OR COUNTER-TURN Did wiser Nature draw thee back From out the horror of that sack, Where shame, faith, honour, and regard of right Upon th' affrighted world; Fire, famine, and fell fury met, As, could they but life's miseries foresee, No doubt all infants would return like thee. THE EPODE, OR STAND For what is life, if measured by the space, Or masked man, if valued by his face Above his fact? Here's one outlived his peers And told forth fourscore years; He vexed time and busied the whole state, Troubled both foes and friends, But ever to no ends: What did this stirrer but die late? How well at twenty had he fallen or stood! II THE STROPHE, OR TURN He entered well by virtuous parts, Got up, and thrived with honest arts, He purchased friends and fame and honours then, But, weary of that flight, He stooped in all men's sight 35 To sordid flatteries, acts of strife, 40 THE ANTISTROPHE, OR COUNTER-TURN Alas, but Morison fell young! He never fell-thou fall'st, my tongue. 45 He stood a soldier to the last right end, All offices were done Go now, and tell our days summed up with fears, And make them years; Produce thy mass of miseries on the stage, To swell thine age; Repeat of things a throng, To show thou hast been long, Not lived: for Life doth her great actions spell By what was done and wrought In season, and so brought To light; her measures are, how well Each syllabe answered, and was formed how fair; III THE STROPHE, OR TURN It is not growing like a tree In bulk doth make man better be; Or standing long an oak, three hundred year, To fall a log at last, dry, bald, and sear: A lily of a day Is fairer far, in May, Although it fall and die that night; 55 60 65 70 In small proportions we just beauties see, THE ANTISTROPHE, OR COUNTER-TURN Call, noble Lucius, then, for wine, And let thy looks with gladness shine; And think, nay know, thy Morison's not dead. Possest with holy rage To see that bright eternal day, Of which we priests and poets say Such truths as we expect for happy men. THE EPODE, OR STAND Jonson, who sung this of him, ere he went, Or taste a part of that full joy he meant To have exprest In this bright asterism: Where it were friendship's schism, Were not his Lucius long with us to tarry, To separate these twi Lights, the Dioscuri, And keep the one half from his Harry. But Fate doth so alternate the design, Whilst that in heaven, this light on earth, must shine, IV THE STROPHE, OR TURN And shine as you exalted are; Two names of friendship, but one star Of hearts the union; and those not by chance The profits for a time: No pleasures vain did chime, Of rhymes or riots, at your feasts, 75 80 85 90 95 100 Orgies of drink or feigned protests; But simple love of greatness and of good, 105 That knits brave minds and manners more than blood. THE ANTISTROPHE, OR COUNTER-TURN This made you first to know the why That liking, and approach so one the t' other, Till either grew a portion of the other, Each styled by his end, The copy of his friend. You lived to be the great sir-names And titles by which all made claims Unto the virtue: nothing perfect done But as a Cary or a Morison. THE EPODE, OR STAND And such a force the fair example had The good and durst not practise it were glad That such a law Was left yet to mankind; Where they might read and find Friendship, indeed, was written not in words, And with the heart, not pen, Of two so early men, 1115 120 125 Whose lines her rolls were, and records; Who, ere the first down bloomèd on the chin, Had sowed these fruits and got the harvest in. 1629. 1640. AN ELEGY Fair friend, 't is true your beauties move My heart to a respect Too little to be paid with love, Too great for your neglect. I neither love nor yet am free; Be not intense in the degree, 'Tis of the purest kind. It little wants of love but pain: Your beauty takes my sense; And lest you should that price disdain, My thoughts too feel the influence. 5 10 'Tis not a passion's first access, Ready to multiply; But, like love's calmest state, it is It is like love to truth reduced, All the false values gone Which were created and induced By fond imagination. 'Tis either fancy or 't is fate To love you more than I: I love you at your beauty's rate; Like unstampt gold, I weigh each grace, So that you may collect Th' intrinsic value of your face Safely from my respect. And this respect would merit love, Were not so fair a sight Payment enough; for who dare move Reward for his delight? 1640. JOHN DONNE SATIRES FROM SATIRE I "Away, thou changeling motley humourist! Nature's secretary, the philosopher; And wily statesmen, which teach how to tie Here gathering chroniclers; and by them stand ΙΟ 5 330 25 20 15 |