The Films of Kenneth Branagh

Front Cover
Greenwood Publishing Group, 2006 - Performing Arts - 204 pages

Between the release of Henry V in 1989 and Love's Labour's Lost in 2000, Kenneth Branagh directed eight major films in a wide variety of genres, ranging from film noir to horror to comedy, and continually startled audiences around the world with his audacious and energetic film style. Initially following in the footsteps of Orson Welles and Laurence Olivier, Branagh has placed himself among the small collection of actors who have transformed themselves into award-winning directors as well. In this, the first comprehensive English-language treatment of Branagh's feature films, Crowl delves deeply into the work of this bold artist, demonstrating the means by which Branagh manages to produce films that appeal to the general public even while treating texts and themes that are traditionally relegated to the realms of academic institutions and high art. As with Branagh's own work, readers cannot help but be entertained.

After an introduction discussing Branagh's transition from actor to filmmaker, Crowl proceeds to examine all eight of Branagh's major English language films, including: Henry V, Dead Again, Peter's Friends, Much Ado About Nothing, Mary Shelley's Frankenstein, A Midwinter's Tale, Hamlet, and Love's Labour's Lost. A chronology and filmography are also provided here, as is a new and exclusive interview with the filmmaker himself. Featuring photos on the sets and behind the scenes of many of Branagh's most popular films, this work is ideal for film lovers, film students, and students and readers of Shakespeare.

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The Actor as Filmmaker
Henry V
Dead Again
Peters Friends
Much Ado About Nothing
Mary Shelleys Frankenstein
A Midwinters Tale
Loves Labours Lost
Interview with Kenneth Branagh
Kenneth Branagh Filmography
A Chronology of Kenneth Branaghs Work as an Actor Writer and Director on Film Stage and Television

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Page 76 - Sigh no more, ladies, sigh no more, Men were deceivers ever ; One foot in sea, and one on shore ; To one thing constant never : Then sigh not so, But let them go. And be you blithe and bonny ; ' Converting all your sounds of woe Into Hey nonny, nonny.
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Page 156 - Subtle as Sphinx : as sweet and musical As bright Apollo's lute, strung with his hair: And when Love speaks, the voice of all the gods Make heaven drowsy with the harmony.

About the author (2006)

Samuel Crowl is Trustee Professor of English at Ohio University where he has taught since 1970. He is the author of two books on Shakespeare, as well as numerous essays, articles, reviews, and interviews on all aspects of Shakespeare in performance. He has been honored many times for outstanding teaching and has lectured widely on Shakespeare at universities and conferences here and abroad, including the Shakespeare Institute and the International Globe Center.

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