Information Theory and Esthetic Perception |
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Page 133
... theatrical work of art . Although materially connected , these two kinds of information , these two messages , obey independent structural laws . Without affecting the esthetic information , a theatrical play may have an incoherent ...
... theatrical work of art . Although materially connected , these two kinds of information , these two messages , obey independent structural laws . Without affecting the esthetic information , a theatrical play may have an incoherent ...
Page 161
... ( theatrical or movie action ) . Then music is not a pure art , but part of the over - all message , with the elements of which music itself must enter in counterpoint . Thus the music becomes subject to im- portant supplementary ...
... ( theatrical or movie action ) . Then music is not a pure art , but part of the over - all message , with the elements of which music itself must enter in counterpoint . Thus the music becomes subject to im- portant supplementary ...
Page 169
... ( theatrical recita- tive , opera , film music ) , there is a compensatory alternation between semantic and esthetic information . ( 19 ) These structural rules may constitute some ground rules for " authentic composition " practiced in ...
... ( theatrical recita- tive , opera , film music ) , there is a compensatory alternation between semantic and esthetic information . ( 19 ) These structural rules may constitute some ground rules for " authentic composition " practiced in ...
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Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise