Information Theory and Esthetic Perception |
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Page 112
... sonic objects having autonomous centers of interest . A succession of forms emerges in the musical material ; these forms are approximate units , sometimes ambiguous , but operation- ally definable . Phenomenological analysis of the sonic ...
... sonic objects having autonomous centers of interest . A succession of forms emerges in the musical material ; these forms are approximate units , sometimes ambiguous , but operation- ally definable . Phenomenological analysis of the sonic ...
Page 116
... objects may be composed entirely of transients . Very generally , they are situated at the beginning and end of the sonic object . Characteristically , they combine many more elements ... Sonic Structures and Music : The Sonic Object.
... objects may be composed entirely of transients . Very generally , they are situated at the beginning and end of the sonic object . Characteristically , they combine many more elements ... Sonic Structures and Music : The Sonic Object.
Page 118
... objects or speech ( for example , Sonagraph ; see Potter et al . , 1947 ) may change this state of affairs and may give the esthetician a visual and colored repre- sentation of the ... Sonic Structures and Music : The Sonic Object.
... objects or speech ( for example , Sonagraph ; see Potter et al . , 1947 ) may change this state of affairs and may give the esthetician a visual and colored repre- sentation of the ... Sonic Structures and Music : The Sonic Object.
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analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise