Information Theory and Esthetic Perception |
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Page 90
... sensory channels is well used in practice . In reality , there is a sort of schematization of the message , which is a function primarily of the time interval that we devote to it . One of the most remark- able characteristics of sensory ...
... sensory channels is well used in practice . In reality , there is a sort of schematization of the message , which is a function primarily of the time interval that we devote to it . One of the most remark- able characteristics of sensory ...
Page 91
... sensory , elements which in combination constitute the message . Accommodation appears in every sensory channel , but relatively few studies have been devoted to it . Probably the reason for this is that its instability puts it in a ...
... sensory , elements which in combination constitute the message . Accommodation appears in every sensory channel , but relatively few studies have been devoted to it . Probably the reason for this is that its instability puts it in a ...
Page 94
... sensory elements , the capacity for pitch discrimination , the audible or visual range , etc. ) and even properties of dynamic perception which can be measured by experiment ( Sec . 4 ) . But it is much more hazardous to specify the ...
... sensory elements , the capacity for pitch discrimination , the audible or visual range , etc. ) and even properties of dynamic perception which can be measured by experiment ( Sec . 4 ) . But it is much more hazardous to specify the ...
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analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise