Information Theory and Esthetic Perception |
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Page 93
... present situation and his sociocultural past . For example , we observed that the " apperceptual limit " is a function of the sub- ject's education , for example , in music . While such an attitude is necessary to the statistical ...
... present situation and his sociocultural past . For example , we observed that the " apperceptual limit " is a function of the sub- ject's education , for example , in music . While such an attitude is necessary to the statistical ...
Page 94
... present behavior , the in- fluence of the past on the present . Current psychology emphasizes the knowledge , symbolic , statistical , or real , of the group of faculties collected under the term memory . In fact , reviving a remark of ...
... present behavior , the in- fluence of the past on the present . Current psychology emphasizes the knowledge , symbolic , statistical , or real , of the group of faculties collected under the term memory . In fact , reviving a remark of ...
Page 96
... present this faculty has been specifically biological . An analogy indicates how specific this capacity has been to living beings . In great automatic telephone systems , the delay necessary to obtain any phone whatever is a function ...
... present this faculty has been specifically biological . An analogy indicates how specific this capacity has been to living beings . In great automatic telephone systems , the delay necessary to obtain any phone whatever is a function ...
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Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise