Information Theory and Esthetic Perception |
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Page 95
... memory has no internal coherence . He repeats the same reflex indefinitely at such short intervals that he cannot finish an act ( apraxia ) ; along with the elementary permanence of sensations , he loses his own personality . This ...
... memory has no internal coherence . He repeats the same reflex indefinitely at such short intervals that he cannot finish an act ( apraxia ) ; along with the elementary permanence of sensations , he loses his own personality . This ...
Page 98
... memory analogously . For the moment , let us suppose the elements E1 , E2 , ... , En of a complex signal E to be simultaneous . These elements ... memory , which lasts 98 Uncertainties in Perception and Memory's Structuring of Symbols.
... memory analogously . For the moment , let us suppose the elements E1 , E2 , ... , En of a complex signal E to be simultaneous . These elements ... memory , which lasts 98 Uncertainties in Perception and Memory's Structuring of Symbols.
Page 99
... memory which is essentially a theory of forgetting ; the theory takes account satis- factorily of the fluctuations of memory - and therefore of the statistical symbolization which is our subject . This theory rests on the essential ...
... memory which is essentially a theory of forgetting ; the theory takes account satis- factorily of the fluctuations of memory - and therefore of the statistical symbolization which is our subject . This theory rests on the essential ...
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analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise