Information Theory and Esthetic Perception |
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Page 105
... laws of perception . A hypothesis now appears . Exotic music , primitive music , modern music , and experimental music have successively transgressed mu- sical laws without destroying the value of the music . Hence the laws transgressed ...
... laws of perception . A hypothesis now appears . Exotic music , primitive music , modern music , and experimental music have successively transgressed mu- sical laws without destroying the value of the music . Hence the laws transgressed ...
Page 115
... laws complement the harmonic laws . Melodic laws express the object's internal homogeneity and govern the evolution of symbols while the sonic object lasts . ― First melodic law : This law simply expresses the repetition of symbols in ...
... laws complement the harmonic laws . Melodic laws express the object's internal homogeneity and govern the evolution of symbols while the sonic object lasts . ― First melodic law : This law simply expresses the repetition of symbols in ...
Page 179
... laws ( govern- ing a subordinate structure ) is represented by the probabilities of connection with the elements of the repertoire preceding the subor- dinate structure . If the structuring reveals very different laws in corresponding ...
... laws ( govern- ing a subordinate structure ) is represented by the probabilities of connection with the elements of the repertoire preceding the subor- dinate structure . If the structuring reveals very different laws in corresponding ...
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Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise