Information Theory and Esthetic Perception |
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Page 145
... inversion of music cannot destroy its meaning . Poetry , especially that furthest developed toward the sonic object ( lettriste poetry , for example ) in inversion becomes situated be- tween speech and music esthetically . This is just ...
... inversion of music cannot destroy its meaning . Poetry , especially that furthest developed toward the sonic object ( lettriste poetry , for example ) in inversion becomes situated be- tween speech and music esthetically . This is just ...
Page 147
... inversion extend very broadly beyond those summarized above . This extremely fruitful procedure will likely have to take its place among the great methods of the experimental esthetics of the arts of time . It is one of the methods of ...
... inversion extend very broadly beyond those summarized above . This extremely fruitful procedure will likely have to take its place among the great methods of the experimental esthetics of the arts of time . It is one of the methods of ...
Page 168
... inversion . Inversion destroys nearly all the semantic information of the second but alters the first much less . ( c ) Invert- ing speech permits separation of true consonants ( transients mor- phologically perceived ) from true vowels ...
... inversion . Inversion destroys nearly all the semantic information of the second but alters the first much less . ( c ) Invert- ing speech permits separation of true consonants ( transients mor- phologically perceived ) from true vowels ...
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analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise