Information Theory and Esthetic Perception |
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Page 11
... frequency amplifier High frequency as amplifier Addition of high - frequency carrier wave Antenna Broadcast OL Rectifier இ Oo Beat frequency amplifier ( intermediate frequency section ) Oo Beat frequency section Fig . 1-1 . Example of ...
... frequency amplifier High frequency as amplifier Addition of high - frequency carrier wave Antenna Broadcast OL Rectifier இ Oo Beat frequency amplifier ( intermediate frequency section ) Oo Beat frequency section Fig . 1-1 . Example of ...
Page 85
... frequency , and it would be a periodic signal of the frequency to which the receptor was tuned . Qualitative differentiation by frequency among the elements of the message would disappear , and the only question which could be posed ...
... frequency , and it would be a periodic signal of the frequency to which the receptor was tuned . Qualitative differentiation by frequency among the elements of the message would disappear , and the only question which could be posed ...
Page 151
... frequencies in an integral ratio , reveal an autocorrelation for these periods which is clearly greater than the values which would be obtained if the two tones did not have these frequency ratios . But these autocorrelation values de ...
... frequencies in an integral ratio , reveal an autocorrelation for these periods which is clearly greater than the values which would be obtained if the two tones did not have these frequency ratios . But these autocorrelation values de ...
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analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise