Information Theory and Esthetic Perception |
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Page 63
... Banal Unforeseeable Informative ← Original Thus , the concept of symbol is intimately connected to that of form . The concept of intelligibility [ page 71 ] or of signification becomes explicit through this connection . The study of ...
... Banal Unforeseeable Informative ← Original Thus , the concept of symbol is intimately connected to that of form . The concept of intelligibility [ page 71 ] or of signification becomes explicit through this connection . The study of ...
Page
... banal ; the position of the mind between intelligibility and creativity is only a transposition of its position between banality and originality . The concept of originality ap- pears necessary to the human mind as one of its central ...
... banal ; the position of the mind between intelligibility and creativity is only a transposition of its position between banality and originality . The concept of originality ap- pears necessary to the human mind as one of its central ...
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... Banal Redundant Informative Intelligible Simple Novel Complex Each of these dialectics focuses attention on a new field of applica- tion remaining to be explored . Such a development is the task indi- cated for the philosopher . As we ...
... Banal Redundant Informative Intelligible Simple Novel Complex Each of these dialectics focuses attention on a new field of applica- tion remaining to be explored . Such a development is the task indi- cated for the philosopher . As we ...
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Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise