 Socratic dialogues; or poems in iambic, elegiac, or other metres, in which the epic species of imitation may be conveyed. Custom, indeed, connecting the poetry or making with the metre, has denominated some elegiac poets, ie, makers...  The Theatre of the Greeks: Or, The History, Literature, and Criticism of the ... - Page 131by Philip Wentworth Buckham - 1830 - 572 pagesFull view - About this book
 | Aristotle, Thomas Twining - Aesthetics - 1812 - 386 pages
...have no general name which would comprehend the Mimes of SOPH RON and X EN ARCH us, and the Socratic dialogues ; or Poems in Iambic, Elegiac, or other...Poets, ie makers' of elegiac verse; others, Epic Poets; 5. e. makers of hexameter verse; thus distinguishing Poets, not according to the nature of their imitation,... | |
 | Aristotle, Thomas Twining - Aesthetics - 1812 - 388 pages
...otherwise, have no general name which would comprehend the Mimes of SOPHRON and XENARCHUS, and the Socratic dialogues; or Poems in Iambic, Elegiac, or other metres,...metre, has denominated some Elegiac Poets, ie makers 5 of elegiac verse ; ' others, Epic Poets ; ie makers of hexameter verse ; thus distinguishing Poets,... | |
 | Aristotle, Thomas Twining - Aesthetics - 1812 - 380 pages
...have no general name which would comprehend the Mimes of SOPHRON and X EN ARCH us, and the Socratic dialogues ; or Poems in Iambic, Elegiac, or other...the metre, has denominated some Elegiac Poets, ie makers5 of elegiac verse; others, Epic Poets ; ie makers of hexameter verse ; thus distinguishing Poets,... | |
 | Aristotle - Aesthetics - 1815 - 492 pages
...general name which would comprehend the mimes ofSophron and Xenarchus, and theSocratic dialogues6; or poems in iambic, elegiac, or other metres, in which...Custom, indeed, connecting the poetry or making with the metre7, has denominated some elegiac poets, ie makers' of elegiac verse; others epic poets, ie makers... | |
 | John Richard Darley (Bp. of Kilmore, Elphin and Ardagh) - Greek drama - 1840 - 580 pages
...otherwise have no general name, which would comprehend the Mimes of Sophron and Xenarchus, and the Socratic dialogues ; or poems in iambic, elegiac, or other...imitation may be conveyed. Custom, indeed, connecting tho poetry or making with the metre, has denominated some elegiac poets, ie makers of elegiac verse... | |
 | George Henry Lewes - Philosophers - 1845 - 258 pages
...fortunately extant ; and it proclaims the very reverse of what Diogenes alleges. Here is the passage : — " Custom, indeed, connecting the poetry or making with the metre, has denominated some elegiac poets, others epic poets : thus distinguishing poets not according to the nature of their imitation, but according... | |
 | John William Donaldson - Greek drama - 1849 - 642 pages
...otherwise have no general name, which would comprehend the Mimes of Sophron and Xenarchus, and the Socratic dialogues ; or poems in iambic, elegiac, or other...imitation may be conveyed. Custom, indeed, connecting the word TTOHÏV, " to make," with the name of the metre employed, has denominated some elegiac poets,... | |
 | Aristotle - 1851 - 90 pages
...have no general name which would comprehend the Mimes of * Sophron and * Xenarchus, and the Socratic Dialogues; or poems in iambic, elegiac, or other metres,...metre, has denominated some Elegiac Poets, ie makers (b) of elegiac verse ; others, Epic Poets, ie, makers of hexameter verse ; thus distinguishing poets,... | |
 | 1851 - 1094 pages
...otherwise have no general name which would comprehend the Mines of Sophron and Xenarchus, and the Socratic Dialogues; or poems in iambic, elegiac, or other metres, in which the epic species of IMITATION may he conveyed. Custom, indeed, connecting the poetry or making with the metre, has denominated some Elegiac... | |
 | George Henry Lewes - Philosophy - 1857 - 838 pages
...fortunately extant, and it proclaims the very reverse of what Diogenes alleges. Here is the passage : — " Custom, indeed, connecting the poetry or making with the metre, has denominated some elegiac poets, others epic poets : thus distinguishing poets, not according to the ' nature of their imitation, but... | |
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