Aesthetics: A Reader in Philosophy of the ArtsDavid Goldblatt, Lee Brown For courses in Aesthetics. Unique in perspective, this collection of nearly 90 readings is designed to introduce students at any level of sophistication to the philosophical problems of aesthetics as they pertain to specific arts e.g., Painting, Photography, Music, Film and Video Art, etc. It reflects the tendency to resist thinking of art as an abstract whole and to acknowledge the diverse character of philosophical thinking about individual arts. |
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Page 19
... kind of picture , Old Master or Modernist , but Modernism imposes it as the only and necessary way , and Modernism's success in doing so is a suc- cess of self - criticism . It is not in principle that Modernist painting in its latest ...
... kind of picture , Old Master or Modernist , but Modernism imposes it as the only and necessary way , and Modernism's success in doing so is a suc- cess of self - criticism . It is not in principle that Modernist painting in its latest ...
Page 21
... kind of illusion of a kind of third dimension . Only now it is a strictly pictorial , strictly optical third dimension . Where the Old Masters created an illusion of space into which one could imagine oneself walking , the illusion ...
... kind of illusion of a kind of third dimension . Only now it is a strictly pictorial , strictly optical third dimension . Where the Old Masters created an illusion of space into which one could imagine oneself walking , the illusion ...
Page 317
... kind . It follows that the means appropriate to its production will be not individual means but means of a certain kind : that is to say , means which are always in principle replaceable by other similar means . As every good craftsman ...
... kind . It follows that the means appropriate to its production will be not individual means but means of a certain kind : that is to say , means which are always in principle replaceable by other similar means . As every good craftsman ...
Contents
Form in Modern Painting Clive Bell | 10 |
AmericanType Formalism David Carrier | 23 |
Reality Remade Nelson Goodman | 40 |
Copyright | |
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Aesthetics: A Reader in Philosophy of the Arts, Volume 3 David Goldblatt,Lee B. Brown No preview available - 2011 |
Common terms and phrases
abstract abstract expressionism action actual Adorno aesthetic African-American architect architecture argues artist artworks audience beauty called camera Cézanne character color concept context criticism culture dance David Goldblatt Deconstruction derivative examples distinction dramatic Eisenman emotion essential example excerpt experience expression fact feel film function Hamlet human idea illusion imagine imitation interest interpretation joke Kendall Walton kind kitsch literary literature look means ment metaphor modern Modernist motion movement nature Noël Carroll object ornament painting perceive performance person philosophy photograph picture Plato play poetry popular art popular music pornography postmodern question reference relation representation representational art reprinted by permission rhythm Richard Shusterman Roger Scruton role sculpture seems sense simply social sound space speak structure Suzanne Langer symbolic taste television theater theory things thought tion traditional tragedy ture understanding ventriloquism visual words