The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & Brothers, 1853 |
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Page 21
... understanding , warming and purifying the heart , and placing in the centre of the whole being the germs of noble and manlike actions , would have been the com- mon diet of the intellect instead . For the first condition , sim- plicity ...
... understanding , warming and purifying the heart , and placing in the centre of the whole being the germs of noble and manlike actions , would have been the com- mon diet of the intellect instead . For the first condition , sim- plicity ...
Page 25
... understanding and practical reason are rep- resented as the willing slaves of the senses and appetites , and of the passions arising out of them . Hence we may admit the appropriateness to the old comedy , as a work of defined art , of ...
... understanding and practical reason are rep- resented as the willing slaves of the senses and appetites , and of the passions arising out of them . Hence we may admit the appropriateness to the old comedy , as a work of defined art , of ...
Page 26
... understanding in appealing to the judgment for the probability of the scenes represented . The ancients themselves acknowledged the new comedy as an exact copy of real life . The grammarian , Aristophanes , somewhat affectedly exclaimed ...
... understanding in appealing to the judgment for the probability of the scenes represented . The ancients themselves acknowledged the new comedy as an exact copy of real life . The grammarian , Aristophanes , somewhat affectedly exclaimed ...
Page 27
... the drama , the chorus could not but tend to enforce the unity of place ; -not on the score of any sup- posed improbability , which the understanding or common sense might detect in a change of place ; -but because GREEK DRAMA . 17 27.
... the drama , the chorus could not but tend to enforce the unity of place ; -not on the score of any sup- posed improbability , which the understanding or common sense might detect in a change of place ; -but because GREEK DRAMA . 17 27.
Page 28
... understanding the poetry . For the choral songs are , and ever must have been , the most difficult part of the tragedy ; there occur in them the most involved verbal com- pounds , the newest expressions , the boldest images , the most ...
... understanding the poetry . For the choral songs are , and ever must have been , the most difficult part of the tragedy ; there occur in them the most involved verbal com- pounds , the newest expressions , the boldest images , the most ...
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Common terms and phrases
admirable appear Beaumont and Fletcher beauty Ben Jonson blank verse cause character Coleridge comedy common devil divine Don Quixote drama effect excellence excited exquisite fancy feeling former genius give Greek Hamlet hath heart heaven Hence human humor Iago Iago's idea images imagination imitation individual instance intellect interest Jonson judgment king language latter Lear lectures Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe Othello pantheism Paradise Lost passage passion perhaps persons philosophic play pleasure poem poet poetic poetry Polonius present principle produced reason religion Richard III Roman Romeo and Juliet scene Sejanus sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste Theobald thing thou thought tion Tom Jones tragedy true truth unity verse Warburton whilst whole words writers
Popular passages
Page 116 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 167 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 157 - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
Page 135 - This is the excellent foppery of the world, that, when we are sick in fortune,— often the surfeit of our own behavior,— we make guilty of our disasters the sun, the moon, and the stars...
Page 37 - So that if the invention of the ship was thought so noble, which carrieth riches and commodities from place to place, and consociateth the most remote regions in participation of their fruits, how much more are letters to be magnified, which as ships pass through the vast seas of time, and make ages so distant to participate of the wisdom, illuminations, and inventions, the one of the other?
Page 123 - No matter where. Of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth; Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground?
Page 18 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Page 168 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Page 349 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And even with something of a mother's mind, And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate man, Forget the glories he hath known, And that imperial palace whence he came. Behold the child among his new-born blisses, A six years
Page 163 - Good sir, why do you start ; and seem to fear Things that do sound so fair? — I' the name of truth, Are ye fantastical, or that indeed Which outwardly ye show?