The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & Brothers, 1853 |
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Page 21
... passionate . " How awful is the power of words fearful often in their consequences when merely felt , not understood ; but ... passion , provides that ' neither thought nor imagery shall be simply objective , but that the passio vera of ...
... passionate . " How awful is the power of words fearful often in their consequences when merely felt , not understood ; but ... passion , provides that ' neither thought nor imagery shall be simply objective , but that the passio vera of ...
Page 24
... passion , contradictions of temper , and laughable situations there were ; but still the form of the representation ... passions , errors , and prejudices which arise out of the soul ; -so neither is comedy a mere crowd of vices and ...
... passion , contradictions of temper , and laughable situations there were ; but still the form of the representation ... passions , errors , and prejudices which arise out of the soul ; -so neither is comedy a mere crowd of vices and ...
Page 25
... passions arising out of them . Hence we may admit the appropriateness to the old comedy , as a work of defined art ... passionate admiration which Menander and Phile- mon expressed for him , and their open avowals that he was their great ...
... passions arising out of them . Hence we may admit the appropriateness to the old comedy , as a work of defined art ... passionate admiration which Menander and Phile- mon expressed for him , and their open avowals that he was their great ...
Page 38
... passion becomes sufficiently elevated by your having previously heard , in the same piece , the lighter conversa- tion of men under no strong emotion . The very nakedness of the stage , too , was advantageous - for the drama thence ...
... passion becomes sufficiently elevated by your having previously heard , in the same piece , the lighter conversa- tion of men under no strong emotion . The very nakedness of the stage , too , was advantageous - for the drama thence ...
Page 42
... passion , and the language and the passion modified and differenced by the character . To the production of the high- est excellences in these three , there are requisite in the mind of the author ; -good sense ; talent ; sensibility ...
... passion , and the language and the passion modified and differenced by the character . To the production of the high- est excellences in these three , there are requisite in the mind of the author ; -good sense ; talent ; sensibility ...
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Common terms and phrases
admirable appear Beaumont and Fletcher beauty Ben Jonson blank verse cause character Coleridge comedy common devil divine Don Quixote drama effect excellence excited exquisite fancy feeling former genius give Greek Hamlet hath heart heaven Hence human humor Iago Iago's idea images imagination imitation individual instance intellect interest Jonson judgment king language latter Lear lectures Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe Othello pantheism Paradise Lost passage passion perhaps persons philosophic play pleasure poem poet poetic poetry Polonius present principle produced reason religion Richard III Roman Romeo and Juliet scene Sejanus sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste Theobald thing thou thought tion Tom Jones tragedy true truth unity verse Warburton whilst whole words writers
Popular passages
Page 116 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 167 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 157 - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
Page 135 - This is the excellent foppery of the world, that, when we are sick in fortune,— often the surfeit of our own behavior,— we make guilty of our disasters the sun, the moon, and the stars...
Page 37 - So that if the invention of the ship was thought so noble, which carrieth riches and commodities from place to place, and consociateth the most remote regions in participation of their fruits, how much more are letters to be magnified, which as ships pass through the vast seas of time, and make ages so distant to participate of the wisdom, illuminations, and inventions, the one of the other?
Page 123 - No matter where. Of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth; Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground?
Page 18 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Page 168 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Page 349 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And even with something of a mother's mind, And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate man, Forget the glories he hath known, And that imperial palace whence he came. Behold the child among his new-born blisses, A six years
Page 163 - Good sir, why do you start ; and seem to fear Things that do sound so fair? — I' the name of truth, Are ye fantastical, or that indeed Which outwardly ye show?