Information Theory and Esthetic Perception |
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Page 78
... theatrical broadcasts , some noises are part of the action and must be transmitted : the banging door , the ringing telephone , etc. Others , of ex- actly the same nature , coming from the audience , are logically considered ...
... theatrical broadcasts , some noises are part of the action and must be transmitted : the banging door , the ringing telephone , etc. Others , of ex- actly the same nature , coming from the audience , are logically considered ...
Page 127
... cultural message in order to exhaust it . If a theatrical play that one likes can be learned by heart , why go see it played again ? Second , many cultural messages , such as citations , Information Theory and Esthetic Perception 127.
... cultural message in order to exhaust it . If a theatrical play that one likes can be learned by heart , why go see it played again ? Second , many cultural messages , such as citations , Information Theory and Esthetic Perception 127.
Page 161
... ( theatrical or movie action ) . Then music is not a pure art , but part of the over - all message , with the elements of which music itself must enter in counterpoint . Thus the music becomes subject to im- portant supplementary ...
... ( theatrical or movie action ) . Then music is not a pure art , but part of the over - all message , with the elements of which music itself must enter in counterpoint . Thus the music becomes subject to im- portant supplementary ...
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Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements equiprobable essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise