Information Theory and Esthetic Perception |
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Page 13
... spatial or temporal and may be classified ac- cording to their dimensions . Thus , as a first approximation , a printed line furnishes the senses a message in a single spatial di- mension ( L ) : a sequence of linearly assembled symbols ...
... spatial or temporal and may be classified ac- cording to their dimensions . Thus , as a first approximation , a printed line furnishes the senses a message in a single spatial di- mension ( L ) : a sequence of linearly assembled symbols ...
Page 13
... spatial message into a temporal one , establishes an equivalence between the two types of messages . Types of Communication Dimensions 1 spatial dimension ( L ) 1 temporal dimension ( T ) 2 spatial dimensions ( L3 ) 2 dimensions ( LT ) 3 ...
... spatial message into a temporal one , establishes an equivalence between the two types of messages . Types of Communication Dimensions 1 spatial dimension ( L ) 1 temporal dimension ( T ) 2 spatial dimensions ( L3 ) 2 dimensions ( LT ) 3 ...
Page 13
Abraham A. Moles. Line 000 Power amplifier the Third spatial channel : record manufacturing 7 Record library storage O Regulator Amplifier Preamplifier Audio Turntables Fourth spatial channel : modulation transformation and emission of ...
Abraham A. Moles. Line 000 Power amplifier the Third spatial channel : record manufacturing 7 Record library storage O Regulator Amplifier Preamplifier Audio Turntables Fourth spatial channel : modulation transformation and emission of ...
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analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements equiprobable essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise