Information Theory and Esthetic Perception |
From inside the book
Results 1-3 of 44
Page 13
... sound communication channel : transmission of a commercial record by a radiobroadcasting network . The sound channel transfers a temporal form from one sound point to another point in space and another instant ( t + ) . The temporal ...
... sound communication channel : transmission of a commercial record by a radiobroadcasting network . The sound channel transfers a temporal form from one sound point to another point in space and another instant ( t + ) . The temporal ...
Page 78
... sound . In reality , this morphological distinction is logically inadequate . Several examples may convince us of this . When we listen to a concert , the sounds of the tuning up before the concert certainly are musical sounds , however ...
... sound . In reality , this morphological distinction is logically inadequate . Several examples may convince us of this . When we listen to a concert , the sounds of the tuning up before the concert certainly are musical sounds , however ...
Page 119
... sound level to hold their place in concert . If a par- ticular " microsound " is richer than a ' cello , and we can capture it , why not use it ? In fact , why not use all sounds , giving them the same status as those of classical ...
... sound level to hold their place in concert . If a par- ticular " microsound " is richer than a ' cello , and we can capture it , why not use it ? In fact , why not use all sounds , giving them the same status as those of classical ...
Other editions - View all
Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements equiprobable essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise