Information Theory and Esthetic Perception |
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Page 60
... precisely in being able to select from the complex and redundant messages of the environment a few elements assembled so as to provide for constant control over the external world . We shall try to determine ( Chap . III ) how this ...
... precisely in being able to select from the complex and redundant messages of the environment a few elements assembled so as to provide for constant control over the external world . We shall try to determine ( Chap . III ) how this ...
Page 68
... precisely at the moment where , for technological and historical reasons , the [ page 74 ] exact sciences see it appear . We know that the essence of the moving picture for us is continuity , not the periodicity which concerns only the ...
... precisely at the moment where , for technological and historical reasons , the [ page 74 ] exact sciences see it appear . We know that the essence of the moving picture for us is continuity , not the periodicity which concerns only the ...
Page 99
... precisely , and that they can lose that state erratically . As a result , it gives these " memos " impregnating the " cell ” an average lifetime analogous to those forecasted by quantum physics of cell potentials , that is , an ...
... precisely , and that they can lose that state erratically . As a result , it gives these " memos " impregnating the " cell ” an average lifetime analogous to those forecasted by quantum physics of cell potentials , that is , an ...
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Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements equiprobable essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise