Information Theory and Esthetic Perception |
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Page 13
... banal - original , foreseeability , and background noise must take their places beside the quantum theory , the principles of relativity and uncertainty , and the opposi- tion between the microscopic and macroscopic universe . It will ...
... banal - original , foreseeability , and background noise must take their places beside the quantum theory , the principles of relativity and uncertainty , and the opposi- tion between the microscopic and macroscopic universe . It will ...
Page 141
Abraham A. Moles. Conversation Poetry Music Original Original Original Original Original Original Banal Banal Banal Banal Banal Banal Fig . V - 2 . Approximate comparison of semantic ( left ) and esthetic ( right ) information in ...
Abraham A. Moles. Conversation Poetry Music Original Original Original Original Original Original Banal Banal Banal Banal Banal Banal Fig . V - 2 . Approximate comparison of semantic ( left ) and esthetic ( right ) information in ...
Page 197
... banal- ity in the message . The etymological meaning of the word intelli- gence , interligere , justifies the assertion that what is most intelligible is what has the most bonds ( liaisons ) , and is thus what is most often encountered ...
... banal- ity in the message . The etymological meaning of the word intelli- gence , interligere , justifies the assertion that what is most intelligible is what has the most bonds ( liaisons ) , and is thus what is most often encountered ...
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Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements equiprobable essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise