Information Theory and Esthetic Perception |
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Page 5
... artistic thought ; the most recent system of musical composition , relying much more on the proper assembly of " sound object " and on the a priori release from conventional composition rules , has found in information theory of ...
... artistic thought ; the most recent system of musical composition , relying much more on the proper assembly of " sound object " and on the a priori release from conventional composition rules , has found in information theory of ...
Page 162
... artistic value is bound up with a decreasing function f ( | H1 H ) of the deviation | H1- H ' of the potential originality H1 offered by the emitter , that is , the work or the artistic message , from the optimum H ' characterizing the ...
... artistic value is bound up with a decreasing function f ( | H1 H ) of the deviation | H1- H ' of the potential originality H1 offered by the emitter , that is , the work or the artistic message , from the optimum H ' characterizing the ...
Page 189
... Artistic multiple messages are generally collective messages transmitted from a creative microgroup to a larger group of receiv- ing subjects situated in a field of common influence . The preceding condition on intelligibility is more ...
... Artistic multiple messages are generally collective messages transmitted from a creative microgroup to a larger group of receiv- ing subjects situated in a field of common influence . The preceding condition on intelligibility is more ...
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Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately artistic autocorrelation banal binary logarithm capacity cells cent channel Chap communication complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements equiprobable essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence individual information theory instruments intelligibility interest interval inversion language laws length letters log₂ logical magnetic tape mation maximum measure mechanism melodic memory mental psychology Moles multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor recording redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise