TragediesCollier, 1893 |
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Page 6
... character of the performance , with reference to the maturity of the author's powers . But , taken in connexion with that evidence , it becomes important . Now , we have no hesitation in believing , although it would be exceedingly ...
... character of the performance , with reference to the maturity of the author's powers . But , taken in connexion with that evidence , it becomes important . Now , we have no hesitation in believing , although it would be exceedingly ...
Page 8
... character , that of Mercutio , according to the sagacious Mrs. Lenox appears to us somewhat idle work . PERIOD OF THE ACTION . AND MANN FRS . THE slight foundation of historical truth which can be established in the legend of Romeo and ...
... character , that of Mercutio , according to the sagacious Mrs. Lenox appears to us somewhat idle work . PERIOD OF THE ACTION . AND MANN FRS . THE slight foundation of historical truth which can be established in the legend of Romeo and ...
Page 9
... character of beauty and majesty , and the first necessities of shelter and defence had been associated with the ... characters , the love - lorn Romeo , the fiery Tybalt , the gallant gay Mercutio , & c . , some very different habit ...
... character of beauty and majesty , and the first necessities of shelter and defence had been associated with the ... characters , the love - lorn Romeo , the fiery Tybalt , the gallant gay Mercutio , & c . , some very different habit ...
Page 10
... characters correctly . Artists of every description are , in our opinion , perfectly justified in clothing the dramatis personæ of this ragedy in the habits of the time in which it was written , by which means all serious anachronisms ...
... characters correctly . Artists of every description are , in our opinion , perfectly justified in clothing the dramatis personæ of this ragedy in the habits of the time in which it was written , by which means all serious anachronisms ...
Page 24
... character exciaims , - " Take heed , Sir Puntarvolo , what you do , he'll bear no coals , I can tell you . " Gifford has given a quotation in illustration of this meaning ( which is the sense in which Shakspere here uses it ) , worth ...
... character exciaims , - " Take heed , Sir Puntarvolo , what you do , he'll bear no coals , I can tell you . " Gifford has given a quotation in illustration of this meaning ( which is the sense in which Shakspere here uses it ) , worth ...
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Common terms and phrases
Alcibiades Apem Apemantus beauty Brabantio Cæsar called Capulet Cassio Cloten copy Cordelia Cymbeline Cyprus daughter dead dear death Desdemona doth edition Emil Enter Exeunt Exit eyes father fear folio fool gentleman give Gloster gods GUIDERIUS Hamlet hath hear heart heaven honest honour Horatio Iach Iago ILLUSTRATIONS OF ACT Imogen Julius Cæsar Kent king knave lady Laer Laertes Lear live look lord madam Malone means Mercutio Michael Cassio mind nature never night noble Nurse Ophelia Othello passage Pisanio play poet Polonius poor Posthumus pray printed Prithee quarto reads Queen Roderigo Romeo and Juliet SCENE servant Shakspere Shakspere's soul speak speech Steevens sweet sword tell thee there's thine thing thou art thou hast thought Timon Timon of Athens Tybalt villain word