Contemporary Spanish cinemaContemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies. |
From inside the book
Page v
... musical The fantasy/science-fiction/horror/adventure film 61 63 86 105 107 3 Gender and sexuality in post-Franco cinema Introduction Post-Franco freedoms: the Movida 112 114 117 125 140 Claiming the frame: women in contemporary Spanish ...
... musical The fantasy/science-fiction/horror/adventure film 61 63 86 105 107 3 Gender and sexuality in post-Franco cinema Introduction Post-Franco freedoms: the Movida 112 114 117 125 140 Claiming the frame: women in contemporary Spanish ...
Page 6
... musical and dance interests with Flamenco (1995), returning to the social problem thriller in Taxi (1996) and is now embarked on Tango and Pajarico. Víctor Erice makes his return to filmmaking, after El sol del membrillo (1992), with ...
... musical and dance interests with Flamenco (1995), returning to the social problem thriller in Taxi (1996) and is now embarked on Tango and Pajarico. Víctor Erice makes his return to filmmaking, after El sol del membrillo (1992), with ...
Page 11
... musical. What we argue is that during the transition period (1976-82), Spanish cinema was seriously concerned with recuperating a historical past and a popular memory that had been denied, distorted or suppressed during the Franco ...
... musical. What we argue is that during the transition period (1976-82), Spanish cinema was seriously concerned with recuperating a historical past and a popular memory that had been denied, distorted or suppressed during the Franco ...
Page 12
... musical, the fantasy, adventure and horror film, we seek to survey how these areas have developed over the period. We also endeavour to explore the way genre cinema taps into changing contemporary cultural attitudes and how it makes its ...
... musical, the fantasy, adventure and horror film, we seek to survey how these areas have developed over the period. We also endeavour to explore the way genre cinema taps into changing contemporary cultural attitudes and how it makes its ...
Page 15
... musical traditions in the work of such groups as Fuxan Os Ventos and Milladoiro in Galicia in the late 1970s and ... musicals. Elements of nostalgia are also prominent in films which are simultaneously showcases for Spain's enthusiastic ...
... musical traditions in the work of such groups as Fuxan Os Ventos and Milladoiro in Galicia in the late 1970s and ... musicals. Elements of nostalgia are also prominent in films which are simultaneously showcases for Spain's enthusiastic ...
Contents
1 | |
15 | |
popular genre film in postFranco Spain | 61 |
3 Gender and sexuality in postFranco cinema | 112 |
film in the autonomous regions | 156 |
Conclusion | 205 |
Index | 209 |
Other editions - View all
Common terms and phrases
activity adaptation Almodóvar Antonio appears attempts audiences Basque become Catalan changes characters Civil classic clearly comedy concerned contemporary context continued conventions critical cultural dealing desire developed directors dominant early effects emotional enic h sinapS established example exploitation explores female figures film’s filmmakers finally focus focused forms Franco Francoist gender genre highly historical homosexuality Hopewell identity images industry issues José Madrid major male menic misogyny movie murder musical narrative offered particularly past perhaps period played political popular position present production projects questions range reality recent reference reflect regional relations relationship representation represented role rural screen seen sexual shot significant sinapS y raropmetnoC social Spain Spanish cinema Spanish film spectator story style success television tended thriller traditional transition trend violence women young