Contemporary Spanish cinemaContemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies. |
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Page 18
... tended to reinforce the status quo and close off any alternative readings. The mystifications of this cine oficial would become a major point of reference and an irresistible target for an oppositional cinema anxious to find new ways of ...
... tended to reinforce the status quo and close off any alternative readings. The mystifications of this cine oficial would become a major point of reference and an irresistible target for an oppositional cinema anxious to find new ways of ...
Page 35
... tended to do badly (Cristobal 1997: 48). are La colmena and Los santos inocentes Whilst many literary adaptations with large budgets funded by the Ministry of Culture through ICAA have been resounding failures (and have thus brought ...
... tended to do badly (Cristobal 1997: 48). are La colmena and Los santos inocentes Whilst many literary adaptations with large budgets funded by the Ministry of Culture through ICAA have been resounding failures (and have thus brought ...
Page 69
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Page 83
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Page 147
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Contents
1 | |
15 | |
popular genre film in postFranco Spain | 61 |
3 Gender and sexuality in postFranco cinema | 112 |
film in the autonomous regions | 156 |
Conclusion | 205 |
Index | 209 |
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activity adaptation Almodóvar Antonio appears attempts audiences Basque become Catalan changes characters Civil classic clearly comedy concerned contemporary context continued conventions critical cultural dealing desire developed directors dominant early effects emotional enic h sinapS established example exploitation explores female figures film’s filmmakers finally focus focused forms Franco Francoist gender genre highly historical homosexuality Hopewell identity images industry issues José Madrid major male menic misogyny movie murder musical narrative offered particularly past perhaps period played political popular position present production projects questions range reality recent reference reflect regional relations relationship representation represented role rural screen seen sexual shot significant sinapS y raropmetnoC social Spain Spanish cinema Spanish film spectator story style success television tended thriller traditional transition trend violence women young