Contemporary Spanish cinemaContemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies. |
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Page 9
... representations of class, gender, race, sexuality, regional and national identity both implicitly and explicitly question and revise varying concepts of 'Spanishness'. The nation; national culture; national cinema As we begin to explore ...
... representations of class, gender, race, sexuality, regional and national identity both implicitly and explicitly question and revise varying concepts of 'Spanishness'. The nation; national culture; national cinema As we begin to explore ...
Page 10
... representations in a film. Moreover, we will need to consider comparatively the representation of cultural identity both fictional and non-fictional, mainstream/commercial and independent films. If we had to single out one unifying ...
... representations in a film. Moreover, we will need to consider comparatively the representation of cultural identity both fictional and non-fictional, mainstream/commercial and independent films. If we had to single out one unifying ...
Page 12
... representation of women in film. We then examine images of women in contemporary Spanish cinema as a whole, in relation to their representations of female identity. Constructions and deconstructions of masculinity, both hetero- and ...
... representation of women in film. We then examine images of women in contemporary Spanish cinema as a whole, in relation to their representations of female identity. Constructions and deconstructions of masculinity, both hetero- and ...
Page 13
... representations, just how we characterise and categorise Spanish cinema in the global communications network and how Spanish movies inflect and reimagine their communities, stereotypes and individual identities. References ...
... representations, just how we characterise and categorise Spanish cinema in the global communications network and how Spanish movies inflect and reimagine their communities, stereotypes and individual identities. References ...
Page 16
... representation firmly in the spotlight. And since historical reality is itself an elusive concept, accessible only through the imperfections of memory and representation, the mediation of that reality (such as it is) inevitably ...
... representation firmly in the spotlight. And since historical reality is itself an elusive concept, accessible only through the imperfections of memory and representation, the mediation of that reality (such as it is) inevitably ...
Contents
1 | |
15 | |
popular genre film in postFranco Spain | 61 |
3 Gender and sexuality in postFranco cinema | 112 |
film in the autonomous regions | 156 |
Conclusion | 205 |
Index | 209 |
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activity adaptation Almodóvar Antonio appears attempts audiences Basque become Catalan changes characters Civil classic clearly comedy concerned contemporary context continued conventions critical cultural dealing desire developed directors dominant early effects emotional enic h sinapS established example exploitation explores female figures film’s filmmakers finally focus focused forms Franco Francoist gender genre highly historical homosexuality Hopewell identity images industry issues José Madrid major male menic misogyny movie murder musical narrative offered particularly past perhaps period played political popular position present production projects questions range reality recent reference reflect regional relations relationship representation represented role rural screen seen sexual shot significant sinapS y raropmetnoC social Spain Spanish cinema Spanish film spectator story style success television tended thriller traditional transition trend violence women young