Contemporary Spanish cinemaContemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies. |
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Results 1-5 of 78
Page 3
... period (Fotogramas November 1994: 116). It was also announced that the regime's old National Film School, the Escuela Oficial de Cine, would be revived in early 1995, run by the Comunidad de Madrid and managed by ex-ICAA director, film ...
... period (Fotogramas November 1994: 116). It was also announced that the regime's old National Film School, the Escuela Oficial de Cine, would be revived in early 1995, run by the Comunidad de Madrid and managed by ex-ICAA director, film ...
Page 6
... period with major film features. These include: Vicente Aranda's La pasión turca and Libertarias, Fernando Colomo's El efecto mariposa , Imanol Uribe's Dias contados and Bwana, José Juan Bigas Luna's La teta y la luna and Bambola, Pilar ...
... period with major film features. These include: Vicente Aranda's La pasión turca and Libertarias, Fernando Colomo's El efecto mariposa , Imanol Uribe's Dias contados and Bwana, José Juan Bigas Luna's La teta y la luna and Bambola, Pilar ...
Page 10
... period, it would have to be the preoccupation with questions of identity. This operates in a range of contexts and at a number of levels, but it is largely concerned with the exploration of notions and images of self - both of the ...
... period, it would have to be the preoccupation with questions of identity. This operates in a range of contexts and at a number of levels, but it is largely concerned with the exploration of notions and images of self - both of the ...
Page 11
... period which is of most interest to us is a coherent one in that it roughly corresponds to the period of tenure of Spain's Socialist government (1982-1996) and our approach specifically addresses the major changes and developments in ...
... period which is of most interest to us is a coherent one in that it roughly corresponds to the period of tenure of Spain's Socialist government (1982-1996) and our approach specifically addresses the major changes and developments in ...
Page 12
... period. We also endeavour to explore the way genre cinema taps into changing contemporary cultural attitudes and how it makes its appeal, what functions it fulfils through its various generic guises and how it acknowledges social change ...
... period. We also endeavour to explore the way genre cinema taps into changing contemporary cultural attitudes and how it makes its appeal, what functions it fulfils through its various generic guises and how it acknowledges social change ...
Contents
1 | |
15 | |
popular genre film in postFranco Spain | 61 |
3 Gender and sexuality in postFranco cinema | 112 |
film in the autonomous regions | 156 |
Conclusion | 205 |
Index | 209 |
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activity adaptation Almodóvar Antonio appears attempts audiences Basque become Catalan changes characters Civil classic clearly comedy concerned contemporary context continued conventions critical cultural dealing desire developed directors dominant early effects emotional enic h sinapS established example exploitation explores female figures film’s filmmakers finally focus focused forms Franco Francoist gender genre highly historical homosexuality Hopewell identity images industry issues José Madrid major male menic misogyny movie murder musical narrative offered particularly past perhaps period played political popular position present production projects questions range reality recent reference reflect regional relations relationship representation represented role rural screen seen sexual shot significant sinapS y raropmetnoC social Spain Spanish cinema Spanish film spectator story style success television tended thriller traditional transition trend violence women young