Contemporary Spanish cinemaContemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies. |
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Page v
... past: historical cinema in post-Franco Spain Introduction History, cinema and the mitología franquista Reconstructing the past Reimag(in)ing the past Relocating the past: the rural genre Retrospective presents and contemporary pasts 15 ...
... past: historical cinema in post-Franco Spain Introduction History, cinema and the mitología franquista Reconstructing the past Reimag(in)ing the past Relocating the past: the rural genre Retrospective presents and contemporary pasts 15 ...
Page 8
... past in narrative and thematics, its retro film styles and prodigious taste for nostalgia. Spain as an entity and Spanish cultural identity are no less difficult to pin down as the concept of the nation state is simultaneously assailed ...
... past in narrative and thematics, its retro film styles and prodigious taste for nostalgia. Spain as an entity and Spanish cultural identity are no less difficult to pin down as the concept of the nation state is simultaneously assailed ...
Page 11
... past, the search for a kind of cultural continuity and security, the significance of gender and sexuality to the formulation of individual and social identities, and the importance of concepts and images of regional and national ...
... past, the search for a kind of cultural continuity and security, the significance of gender and sexuality to the formulation of individual and social identities, and the importance of concepts and images of regional and national ...
Page 12
... past from the point of view of the human story, of the personal, of the effects of historical events and actions on the emotional and psychological outlook of individual characters. In short, the personal becomes the political. In ...
... past from the point of view of the human story, of the personal, of the effects of historical events and actions on the emotional and psychological outlook of individual characters. In short, the personal becomes the political. In ...
Page 13
... past: historical cinema in post-Franco Spain 1 Introduction. Abad, I. (1997), La fiebre de los multicines en España: ¿Hasta cuándo?, Fotogramas, 1840, February, 12 7. Álvarez, C. (1997), El cine más cercano, El País Semanal, 19 January ...
... past: historical cinema in post-Franco Spain 1 Introduction. Abad, I. (1997), La fiebre de los multicines en España: ¿Hasta cuándo?, Fotogramas, 1840, February, 12 7. Álvarez, C. (1997), El cine más cercano, El País Semanal, 19 January ...
Contents
1 | |
15 | |
popular genre film in postFranco Spain | 61 |
3 Gender and sexuality in postFranco cinema | 112 |
film in the autonomous regions | 156 |
Conclusion | 205 |
Index | 209 |
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activity adaptation Almodóvar Antonio appears attempts audiences Basque become Catalan changes characters Civil classic clearly comedy concerned contemporary context continued conventions critical cultural dealing desire developed directors dominant early effects emotional enic h sinapS established example exploitation explores female figures film’s filmmakers finally focus focused forms Franco Francoist gender genre highly historical homosexuality Hopewell identity images industry issues José Madrid major male menic misogyny movie murder musical narrative offered particularly past perhaps period played political popular position present production projects questions range reality recent reference reflect regional relations relationship representation represented role rural screen seen sexual shot significant sinapS y raropmetnoC social Spain Spanish cinema Spanish film spectator story style success television tended thriller traditional transition trend violence women young