Contemporary Spanish cinemaContemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies. |
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Page 3
... changes were necessary and timely in that, they brought Spanish film production back into line with commercial considerations and public tastes and obliged companies to promote their products far more vigorously in home and foreign ...
... changes were necessary and timely in that, they brought Spanish film production back into line with commercial considerations and public tastes and obliged companies to promote their products far more vigorously in home and foreign ...
Page 4
... changes and programmes of modernisation taking place in relation to Spanish film theatres, which led directly to improvements in conditions for cinema viewing and related leisure facilities. In 1995, the construction of multi- and ...
... changes and programmes of modernisation taking place in relation to Spanish film theatres, which led directly to improvements in conditions for cinema viewing and related leisure facilities. In 1995, the construction of multi- and ...
Page 5
... changes at all levels. A striking indication of such changes can be seen in the fact that official government targets for Spanish film production for 1996 were set at approximately eighty full-length features. Final totals, however ...
... changes at all levels. A striking indication of such changes can be seen in the fact that official government targets for Spanish film production for 1996 were set at approximately eighty full-length features. Final totals, however ...
Page 7
... change in the panorama of Spanish cinema and seems extremely promising. Virtually all of these newcomers have been well-received by critics and have enjoyed reasonable public responses to their work. In some cases, the reception has ...
... change in the panorama of Spanish cinema and seems extremely promising. Virtually all of these newcomers have been well-received by critics and have enjoyed reasonable public responses to their work. In some cases, the reception has ...
Page 11
... changes and developments in the industry, in filmmaking and in the sort of concerns Spanish films have explored over the years and the ways in which these have been represented. The organisational structure of our main chapters is ...
... changes and developments in the industry, in filmmaking and in the sort of concerns Spanish films have explored over the years and the ways in which these have been represented. The organisational structure of our main chapters is ...
Contents
1 | |
15 | |
popular genre film in postFranco Spain | 61 |
3 Gender and sexuality in postFranco cinema | 112 |
film in the autonomous regions | 156 |
Conclusion | 205 |
Index | 209 |
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activity adaptation Almodóvar Antonio appears attempts audiences Basque become Catalan changes characters Civil classic clearly comedy concerned contemporary context continued conventions critical cultural dealing desire developed directors dominant early effects emotional enic h sinapS established example exploitation explores female figures film’s filmmakers finally focus focused forms Franco Francoist gender genre highly historical homosexuality Hopewell identity images industry issues José Madrid major male menic misogyny movie murder musical narrative offered particularly past perhaps period played political popular position present production projects questions range reality recent reference reflect regional relations relationship representation represented role rural screen seen sexual shot significant sinapS y raropmetnoC social Spain Spanish cinema Spanish film spectator story style success television tended thriller traditional transition trend violence women young