Hand Luggage: A Memoir in Verse

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The Porcupine's Quill, 2006 - Biography & Autobiography - 93 pages
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It has become customary in Canada to describe P. K. Page as distinguished', but that epithet betrays her. P. K. Page is simply too vivacious, too cunning, too elusive, to be monumentalized. She is in fact the supreme escape artist of our literature. Try to confine her in a villanelle and she scampers off into free verse. Peg her as a prose poet and she springs forth with a glosa. Categorize her as a poet who writes fiction but then note that you find very little poet's prose' in her stories. Her characters are often incised with acid and a cruelly keen burin. She is the shrewdest of observers but at the same time she celebrates life, low and high, in all its manifestations. One of the finest and most distinctive Canadian poets, P. K. Page is no provincial. She is a citizen not merely of the world, but of the earth.

Starting in Calgary in the twenties, the young P K Page discovered first horses and then the pre-Raphaelites in cheap reproductions. In the thirties it was London, then back to the Maritimes and war and the distance of accented radio broadcasts from overseas. In the forties, in Montreal, there was snow as high as a house, cocoa at Murray's on Sherbrooke Street and poems by Frank Scott and Abe Klein read aloud in rented rooms.

In the fifties, marriage to Arthur Irwin and thence to Australia by steamer via Aden, Port Said and Ceylon. Kangaroos and platypus and tea with the wives of diplomats. Perth to Melbourne by train. Alice Springs, Kalgoorli and Ayers Rock. Briefly, New Guinea. Then Brazil, a pet marmoset christened B Fledermouse and drinks with Margot Fonteyn on the beach at Copacobana. From the sublime, to the ridiculous -- an honour guard of mariachis poised to greet John Diefenbaker in the shadow of Popocatepetl. The posting to Mexico was the last.

Her memoir ranges from the trivial - the condition of pipes and wiring in embassy homes - to the profound, her persistent search for spiritual certainty. P. K. Page met many of the dominant figures of the twentieth century, including Nehru, DeGaulle, Mountbatten, Tito and the Kennedys. But above all, she celebrates the senses, the beauty of it all.

Towards the end of a long and passionate life, Page shares in a most engaging form the highlights of a life lived to the full.

 

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Contents

Section 1
21
Section 2
22
Section 3
30
Section 4
31
Section 5
35
Section 6
39
Section 7
40
Section 8
43
Section 11
63
Section 12
64
Section 13
65
Section 14
72
Section 15
81
Section 16
82
Section 17
89
Section 18
93

Section 9
53
Section 10
61

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About the author (2006)

P. K. Page has written some of the best poems published in Canada over the last five decades. In addition to winning the Governor General's award for poetry in 1957, she was appointed a Companion of the Order of Canada in 1999. She is the author of more than a dozen books, including ten volumes of poetry, a novel, selected short stories, three books for children, and a memoir, entitled Brazilian Journal, based on her extended stay in Brazil with her late husband Arthur Irwin, who served as the Canadian Ambassador there from 1957 to 1959. A two-volume edition of Page's collected poems, The Hidden Room (Porcupine's Quill), was published in 1997.

In addition to writing, Page paints, under the name P. K. Irwin. She has mounted one-woman shows in Mexico and Canada. Her work has also been exhibited in various group shows, and is represented in the permanent collections of the National Gallery of Canada, the Art Gallery of Ontario, and the Victoria Art Gallery, among others.

P. K. Page was born in England and brought up on the Canadian prairies. She has lived in the Maritimes and in Montreal. After years abroad in Australia, Brazil and Mexico, she now makes her permanent home in Victoria, British Columbia.

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